Blood Sweat Tears Child Father

The difference between Blood, Sweat & Tears and the group's preceding long-player, Child Is Father to the Man, is the difference between a monumental seller and a record that was "merely" a huge critical success. Arguably, the Blood, Sweat & Tears that made this self-titled second album - consisting of five of the eight original members and four newcomers, including singer David Clayton-Thomas - was really a different group from the one that made Child Is Father to the Man, which was done largely under the direction of singer/songwriter/keyboard player/arranger Al Kooper. They had certain similarities to the original: the musical mixture of classical, jazz, and rock elements was still apparent, and the interplay between the horns and the keyboards was still occurring, even if those instruments were being played by different people…

No American rock group ever started with as much daring or musical promise as Blood, Sweat & Tears, or realized their potential more fully and then blew it all as quickly. From their origins as a jazz-rock experiment that wowed critics and listeners, they went on in a somewhat more pop vein to sell almost six million records in three years, but ended up being dropped by their record label four years after that. Blood, Sweat & Tears started as an idea conceived by Al Kooper in July of 1967.

This recording is the trunk of the tree jazz rock grew from(the "non-fusion" jazzrock). Al Kooper's vision was "right on it", as he had the notion to utilize horns in rockmusics with a "big band" concept in mind, wonderful expansive chords voiced by the section, not just the usual R&B riffing that was the state of things in pop musics until then.

"The 500 Greatest Albums of All Time" is a 2003 special issue of American magazine Rolling Stone, and a related book published in 2005. The lists presented were compiled based on votes from selected rock musicians, critics, and industry figures, and predominantly feature British and American music from the 1960s and 1970s. From 2007 onwards, the magazine published similarly titled lists in other countries around the world.

The Top 100 '60s Rock Albums represent the moment when popular music came of age. In the earliest part of the decade, bands were still regularly referencing earlier sounds and themes. By the middle, something powerful and distinct was happening, which is why the latter part of the '60s weighs so heavily on our list. A number of bands evolved alongside fast-emerging trends of blues rock, folk rock, psychedelia and hard rock, adding new complexities to the music even as the songs themselves became more topical. If there's a thread running through the Top 100 '60s Rock Albums and this period of intense change, it has to do with the forward-thinking artists who managed to echo and, in some cases, advance the zeitgeist. Along the way, legends were made.

The best of all of Al Kooper's studio albums, Rekooperation is a mostly instrumental album, on which the artist (playing organ and piano, and occasional guitar) and a band including Jimmy Vivino, Harvey Brooks, and Fred Walcott, among others, roar and pound their way through a baker's dozen of R&B, rock & roll, and soul classics. Everything from chestnuts like "Soul Twist," "Honky Tonk," "Johnny B. Goode," "Clean Up Woman," and " "Don't Be Cruel" to originals such as "Downtime" and "Alvino Johnson's Shuffle," without a notable gap in quality between them, are included – and the one vocal number, "I Wanna Little Girl," contains one of the finest singing performances that Kooper has ever turned in on record (but is also played so well, that it would work as an instrumental too). In many ways, this recording is a distant cousin to Blood, Sweat & Tears' Child Is Father to the Man, and was his first attempt at leading a band since that 1968 venture, which was sort of fitting since it led to Soul of a Man, Kooper's live-in-concert career retrospective album, the next time out.

On the eve of the New Year I offer you a small insight into the already so far away, but so cool twentieth century. And remember it will help you to Mario Lanza, Marilyn Monroe, Bill Haley & His Comets, Chuck Berry, Little Richard, Louis Armstrong, Pat Boone, Jerry Lee Lewis, Perry Como, Paul Anka, Roy Orbison, Scorpions, Bob Dylan, The Mama's & Papa's, Stevie Wonder, Van Morrison, Fleetwood Mac, Simon & Garfunkel, David Bowie, Johnny Cash, Blood, Sweat & Tears, Shocking Blue, Guess Who, Black Sabbath, Jefferson Airplane, Rod Stewart, The Byrds, The Kinks and many many others … The greatest hits of the past millennium. Need I say more? Download and enjoy the great past.