Dutch rock group. Formed in 1967 by former Motions, The guitarist Robbie van Leeuwen, joined by Cor van der Beek (drums), Klaasje van der Wal (bass) and Fred de Wilde (vocals). Their first single hit the Dutch Top 40 in 1968. Shortly thereafter, Mariska Veres replaced de Wilde as their lead vocalist. In 1969 and 1970, the group enjoyed a worldwide chart success with “Venus”, followed by several other hit singles…
Bad Boys Blue is a multinational dance-pop group formed in Cologne, Germany, in 1984 and originally featuring British lead singer John McInerney, American Andrew Thomas, and Jamaican-born Trevor Taylor. After Taylor left the group in 1988, he was replaced by Trevor Travis; upon scoring a number 89 chart hit in 1993 with "Save Your Love," Travis exited as well, and Bad Boys Blue continued as a duo until adding Mo Russel in 1995. His 1999 departure made way for Jo Jo Max.
A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker.
Although they're only remembered today for their 1964 hit "Hippy Hippy Shake," which charted on both sides of the Atlantic – the Swinging Blue Jeans were actually one of the strongest of the Liverpool bands from the '60s British Invasion; and, indeed, the Blue Jeans' earliest incarnation goes back about as far as the roots of the Beatles as the Quarry Men. "Hippy Hippy Shake" – a cover of an obscure '50s rocker that was actually done much better by the Beatles on tapes of their BBC…
To mark the 50th anniversary of John Coltrane’s passing on 17 July 1967, a box set of the 1961 European Tour by French label Le Chant du Mont has been released. This is the first time the material has been available, other than as a bootleg copy, and serves as a historical record even if the audio quality is not perfect.
Broke, Black & Blue delivers multiple surprises within its 100 songs of prewar blues. Arranged chronologically by Joop Visser, the set admirably covers the first 22 years of recorded blues, 1924 to 1946, from vaudeville and Delta to boogie-woogie and jump blues. It's a swell gift for anyone wanting to learn more about the history of blues. But old-timers will be pleased, too, as special attention has been paid to culling rare and idiosyncratic tracks by the well-known and the obscure. The first three discs present single tracks by artists as diverse as the Memphis Jug Band, De Ford Bailey, Tommy Johnson, Son House, Skip James, Peetie Wheatstraw, Lonnie Johnson, and Bukka White, alongside unknowns such as Isaiah "The Mississippi Moaner" Nelson, Barbecue Bob and Laughing Charley, Ed Andrews, Chicken Wilson, and Bumble Bee Slim. On the fourth disc, this convention is jettisoned to luxuriate in a series of very rare sides of lovely, oddly subdued boogie-woogie and jump blues by Jimmie Gordon, Johnny Temple, and Lee Brown.