Discovery was the band's first No. 1 album in the UK, entering the chart at that position and staying there for five weeks. The LP contained five hit songs in "Shine a Little Love," "Don't Bring Me Down," "Last Train to London", "Confusion" and "The Diary of Horace Wimp", many of which were heavily influenced by disco (in fact, Richard Tandy came up with its well known nickname, Disco Very). "Don't Bring Me Down" would become their only top three hit in the UK throughout their career, and also their highest-charting US single at #4. "The Diary of Horace Wimp" was also a hit single in the UK, although it was not patterned after the disco sound; instead it was closer in style to the band's earlier hit "Mr. Blue Sky." More..
2011 expanded the original album to include a second disc and also rearranged the entire track order. This is the third ELO compilation that presents a chronological run-through of ELO's singles/songs. The original artwork has been slightly altered as well to differentiate from the single CD release.
This is the album where Jeff Lynne finally found the sound he'd wanted since co-founding Electric Light Orchestra three years earlier. Up to this point, most of the group's music had been self-contained – Lynne, Richard Tandy, et al., providing whatever was needed, vocally or instrumentally, even if it meant overdubbing their work layer upon layer…
By ignoring the band's first two albums, the Roy Wood-dominated Electric Light Orchestra and the transitional ELO II, the 1979 singles compilation ELO's Greatest Hits presents a somewhat skewed vision of the band. Ironically, this revision has become the normative view of the band: slick, almost mechanical purveyors of undeniably catchy but somewhat soulless hit singles. "Evil Woman," "Showdown," "Turn to Stone," "Telephone Line," "Strange Magic" – anyone who was anywhere near a radio in the latter half of the '70s knows them all by heart, whether they like them or not. But ELO's Greatest Hits does a far graver disservice to the Electric Light Orchestra's oeuvre. For some reason, the original vinyl LP sounded somewhat muffled and distant, as if the EQ was perceptibly off. The result is that while this is otherwise a fine survey of Jeff Lynne's most successful – if not necessarily his best – songs, it just doesn't sound very good.
Secret Messages is the tenth studio album by Electric Light Orchestra (ELO), released in 1983 on Jet Records. It was the last ELO album with bass guitarist Kelly Groucutt, conductor Louis Clark and real stringed instruments, and the last ELO album to be released on the Jet label. It was also the final ELO studio album to become a worldwide top 40 hit upon release. Secret Messages, as its title suggests, is littered with hidden messages in the form of backmasking, some obvious and others less so. This was Jeff Lynne's second tongue-in-cheek response to allegations of hidden Satanic messages in earlier Electric Light Orchestra LPs by Christian fundamentalists, which led up to American congressional hearings in the early 1980s (a similar response had been made by Lynne on the Face the Music album, during the intro to the "Fire on High" track).
Secret Messages is an album by Electric Light Orchestra, released in 1983. It would be the final ELO album to feature bassist Kelly Groucutt, who left the band shortly after its release.