This is an excellent record of Sunao Wada (g) feat. Hitomi Ueda (vo), Ushio Sakai (org), Yoshio Ohtomo (as), George Otsuka (ds), Mitsuaki Furuno (b), Takao Uematsu (ts) & more. "Blues for bird" is an amazing TBM (Three Blind Muce) CD. This album records many splendid songs … In particular Charlie Parker's cover "Now's the time" is very groovy Japanese Jazz. This is a Japanese Jazz classics.
This 52 disc Ultimate Collection features music from the Delta to the Big Cities. This special first edition also includes a historic puck harmonica. How blue can you get? You will find your favorites here and discover some hidden gems, as the 'ABC of the Blues' brings together the best of the best.
CDs from this collection began to appear in the sale of one after the other in early 1998. The collection was designed primarily for fans of blues and those wishing to join him in France, Canada and other French-speaking countries, as its literary part was originally made in French and it seems and has not been translated into other languages.
Die ultimative Blues Kollektion vom Mississippi bis in die Metropolen. In dieser Box befinden sich die Aufnahmen von 100 legendaren Bines Grossen. Die Stile, die Ausstrahlung, die Geschichten und naturlich die geniale Ausubung ihrer Kunst machten sie einzigartig und beeinflussten Generationen nachfolgender Kunstler. Die altesten Mitglieder wurden Ende des 19ten Jahrhunderts geboren, die jungsten unter ihnen spielen noch heute live in ausverkauften Hausern. Die Musik in dieser Box wird Sie befliueln oder erden, zum Tanzen oder Weinen bewegen. Egal oh Zweisamkeit oder in einsamen Stunden: eines ist sicher: Der Blues lebt weiter!
The addition of bass and special guests Left Hand Frank and Lefty Dizz only distract from the chemistry between Cub and the Houserockers (even more obvious on their belated live follow-up), but this is a strong session, with the ex-stadium boogie boy sounding totally at home with these blues veterans. His vocal duet with Brewer Phillips on J.B. Lenoir's "Talk to Your Daughter" is a joy, and thankfully not every note is perfectly in place — or in the case of Brewer's guitar, in tune. Added treats: Koda's big-toned harp on "Rockin' This Joint Tonight" and humorous dialog with Frank on "Dirty Duck Blues."
This was Jimmy Rogers' last "proper" Chicago blues album, and it deservedly won a W.C. Handy Award in 1995. There are no moonlighting rock stars here; they would come out in droves for Rogers' subsequent album Blues Blues Blues. And with the exception of the last track – which is basically pianist Johnnie Johnson showing off for eight minutes – Rogers sits squarely in the spotlight for the duration of Blue Bird. As expected, Rogers revisits a fair amount of his earlier repertoire ("Walking By Myself," "I Lost a Good Woman"), but he also digs up several original tunes that he had never gotten around to recording until now. Throw in a few Chicago standards ("Big Boss Man," "Rock Me," "Smokestack Lightning"), and you have a solid, laid-back, and tremendously satisfying album by one of the underrated masters.