Blur Japanese

The partnership between founding Survivor member and Ides of March Grammy Award-winning songwriter Jim Peterik and singer Marc Scherer started in 2010 when Peterik, impressed with Scherer's vocals, started composing an album designed to showcase Marc's talent. The result is a collection of songs that fulfil their promise to be the perfect vehicle for Marc's 4-octave range a voice of astonishing clarity and strength…

Following on from the disheveled collapse of the Deviants, the wired delinquent garage fuzz monster which propelled him to counterculture superstardom, Mick Farren convened a more-or-less all-star band from the same disreputable circles he'd always moved in. Carnivorous Circus was cut, the first essential album of the 1970s, and its still one of the most unrepentantly nasty, gratuitously ugly records ever made. Rock history loves to bandy those terms around, then apply them to this week's most fashionable long-haired gnarly snarlies. And it's true, the Pretty Things, the MC5, the Pink Fairies, the Broughtons, any of the myriad '60s freakbeat bands captured on sundry Nuggets and Pebbles type collections, they've all dipped a toe into those malevolently murky waters…

is an album by American singer-songwriter , released in 1973. At the time of its release, it only reached #6 on the Billboard album chart, but has remained highly regarded by her fans over the ensuing decades. Presented as a sort of song cycle, the album opens and closes with two versions of the title song and the songs on each side segue directly into one another. The Spanish language track (the Spanish word for "heart," also used as a term of endearment, as in this song's lyrics) was a moderate hit single from the album, as was The flip side of the latter single, (not the hit), charted separately from its A-side.