Though there are still some traces of the confessionals that underpinned Beautiful Loser through Stranger in Town, Against the Wind finds Bob Seger turning toward craft. Perhaps he had to, since Against the Wind arrived after three blockbuster albums and never-ending tours…
The Distance was hailed as a return to form upon the time of its release and, in many ways, might be a little stronger, a little more consistent than its predecessor, Against the Wind. Still, this album has the slickest production Bob Seger had yet granted, and the biggest hit single on The Distance wasn't written by him, it was a cover of Rodney Crowell's "Shame on the Moon."…
Before there was Bob Seger and The Silver Bullet Band, there was a pre-fame band called The Last Heard. As Bob Seger ramped up to the release of his break-through first single, “Ramblin’ Gamblin’ Man”, his focus was, even then, great music for everyone. With The Last Heard, Bob Seger has a recorded set of singles for the Cameo label. Abkco Records has opted to release a collected set of these singles as Heavy Music: The Complete Cameo Recordings 1966-1967.
Beautiful Loser winds up sounding more like Back in '72 than its immediate predecessor, Seven, largely because Bob Seger threaded reflective ballads and mid-tempo laments back into his hard-driving rock. He doesn't shy away from it, either, opening with the lovely title track. And why shouldn't he? These ballads were as much a part of his success as his storming rockers, since his sentimental streak seemed all the more genuine when contrasted with the rockers…
Night Moves was in the pipeline when Live Bullet hit, and wound up eclipsing the double live set anyway, so Stranger in Town is really the record where Bob Seger started grasping the changes that happened when he became a star. It happened when he was old enough to have already formed his character…
Take note that this 2011 double-disc collection is billed not as the best of Bob Seger, it's the best of Bob Seger & the Silver Bullet Band – a rule the compilers immediately bend in two directions by including the Bob Seger System's 1968 debut single "Ramblin' Gamblin’ Man" (in its mono mix, collectors note) and "Wait for Me" from Seger's 2006 comeback Face the Promise…
Bob Seger closed out his Capitol contract with Brand New Morning, a singer/songwriter album quite unlike anything he had yet released. Following its release he moved to the Detroit-based label Palladium and returned to hard-driving rock & roll with Smokin' O.P.'s, the polar opposite of Brand New Morning…