The Collection: An Adventure In Sound is a unique compilation conceived and produced by Audio Fidelity to showcase the superb sound quality of their 2-track stereo, Super Audio Compact Disc and 4.0 releases. It truly takes the music and artists here to a new sound level almost as if you're listening to them for the first time! Audio Fidelity has taken fourteen classic evergreens from the world of rock, jazz, soul and even big band based on the dynamics of each recording. From Miles Davis and Carlos Santana to "Peter Gunn" and "7 Screaming Diz-Busters," The Collection begs you to go ahead and turn up the volume and test the limits of your system. All of the selections have been remastered from the original stereo and multichannel masters.
The Top 100 '60s Rock Albums represent the moment when popular music came of age. In the earliest part of the decade, bands were still regularly referencing earlier sounds and themes. By the middle, something powerful and distinct was happening, which is why the latter part of the '60s weighs so heavily on our list. A number of bands evolved alongside fast-emerging trends of blues rock, folk rock, psychedelia and hard rock, adding new complexities to the music even as the songs themselves became more topical. If there's a thread running through the Top 100 '60s Rock Albums and this period of intense change, it has to do with the forward-thinking artists who managed to echo and, in some cases, advance the zeitgeist. Along the way, legends were made.
Let It Be… Naked is a version of the 1970 Let It Be album by The Beatles that was remixed and remastered under the direction of Paul McCartney. It was first released in November 2003.
Their third recording was one of the group's stronger outings, even if it confirms their status as folk popularizers rather than musical innovators. In particular, this record was essential to boosting the profile of Bob Dylan, including their huge hit cover of "Blowin' in the Wind," their Top Ten version of "Don't Think Twice, It's All Right," and the bluesy "Quit Your Lowdown Ways," which Dylan himself would not release in the '60s (although his version finally came out on The Bootleg Series). "Stewball," "All My Trials," and "Tell It on the Mountain" were other highlights of their early repertoire, and the dramatic, strident, but inspirational "Very Last Day" is one of the best original tunes the group ever did.
Their third recording was one of the group's stronger outings, even if it confirms their status as folk popularizers rather than musical innovators. In particular, this record was essential to boosting the profile of Bob Dylan, including their huge hit cover of "Blowin' in the Wind," their Top Ten version of "Don't Think Twice, It's All Right," and the bluesy "Quit Your Lowdown Ways," which Dylan himself would not release in the '60s (although his version finally came out on The Bootleg Series). "Stewball," "All My Trials," and "Tell It on the Mountain" were other highlights of their early repertoire, and the dramatic, strident, but inspirational "Very Last Day" is one of the best original tunes the group ever did.
SPV launched their series of archival Ike & Tina Turner collections with this double-disc set, which curiously enough is the least interesting installment in the program so far. The Archive Series, Vols. 1 & 2: Hits and Classics is devoted to songs already familiar to casual listeners, but the only real-deal Ike & Tina hits included on this set are "It's Gonna Work Out Fine," "Nutbush City Limits," "Proud Mary," and "River Deep, Mountain High" (the latter two each appearing twice), while nearly everything else is a cover of a tune associated with another artist.
Give 'Em Enough Rope, for all of its many attributes, was essentially a holding pattern for the Clash, but the double-album London Calling is a remarkable leap forward, incorporating the punk aesthetic into rock & roll mythology and roots music. Before, the Clash had experimented with reggae, but that was no preparation for the dizzying array of styles on London Calling. There's punk and reggae, but there's also rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock; and while the record isn't tied together by a specific theme, its eclecticism and anthemic punk function as a rallying call.