Bob Dylan Sacd

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music.

Desire is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year. Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin Carter, whom the song asserts was framed.

The Times They Are a-Changin' is the third studio album by American singer-songwriter Bob Dylan. This was the first to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s.

Bob Dylan's Love and Theft is a visionary train ride through the vast American landscape and all its hills, valleys, mountains, river towns, and urban and rural settlements. As they burrow into villages and barrel across trestle bridges, the 2001 record's songs introduce us to outlaws, outliers, gamblers, brawlers, tricksters, bootleggers, and scoundrels. It is, in effect, a commanding survey of and plunge into American music. Named the best album of the year by Rolling Stone and the Village Voice's Pazz & Jop Critics Poll, anointed the second-best album of the decade by Newsweek, and later declared the 385th Greatest Album of All Time by Rolling Stone, Love and Theft remains the Nobel Laureate's finest effort since 1975's Blood on the Tracks – and an extension of the jesting, imagery, and free-form looseness present on his seminal 1960s works. Now, it possess knock-out sound.

John Wesley Harding marked Dylan's return to acoustic roots music after having made three albums of electric rock. The album was incredibly well-received by listeners and critics alike, and the song "All Along the Watchtower" became one of Dylan's most popular numbers after it was covered by Jimi Hendrix the following year.

John Wesley Harding marked Dylan's return to acoustic roots music after having made three albums of electric rock. The album was incredibly well-received by listeners and critics alike, and the song "All Along the Watchtower" became one of Dylan's most popular numbers after it was covered by Jimi Hendrix the following year.

New Morning is the eleventh studio album by American singer-songwriter Bob Dylan. Coming only four months after the controversial Self Portrait, the more concise and immediate New Morning received a much warmer reception from fans and critics. Most welcome was the return of Dylan's familiar, nasal singing voice. It reached No. 7 in the US, quickly going gold, and gave Dylan his sixth and last UK number 1 album until Together Through Life in 2009. The album's most successful song from a commercial perspective is "If Not for You", which also was recorded by George Harrison.

Released in September 1989, Oh Mercy is Bob Dylan's was 26th studio album. It was produced by Daniel Lanois and was a huge success after several previous albums had been given a tepid reception by critics. Oh Mercy peaked at #30 on the charts in the US and #6 in the UK.

Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album. The album was ranked No. 4 on Rolling Stone's "500 Greatest Albums of All Time". "Like a Rolling Stone" was a top-10 hit in several countries, and was listed at No. 1 on Rolling Stone's 500 Greatest Songs of All Time list.