Bob Stanley

VA - Saint Etienne Present Songs for the Carnegie Deli (2016)

VA - Saint Etienne Present Songs for the Carnegie Deli (2016)
EAC Rip | FLAC (tracks, cue, log, scans) - 315 MB | MP3 CBR 320 kbps - 181 MB
1:04:41 | Vocal, Soul | Label: Ace

A collection of sounds as big as the Chrysler, with the warmth of soft booth seating and the sweet melancholy of slightly peeling leatherette. Pancakes and coffee, maple syrup on the side, are the perfect accompaniment to this set from the golden Brill Building age of New York pop, compiled by Saint Etienne’s Bob Stanley and Pete Wiggs.

Stanley Turrentine - In Concert (2005)  Music

Posted by robi62 at Aug. 1, 2013
Stanley Turrentine - In Concert (2005)

Stanley Turrentine - In Concert (2005)
Video: NTSC, MPEG-2 at 8 000 Kbps, 720 x 480 (1.333) at 29.970 fps | Audio: AC-3 2 channels at 192 Kbps, 48.0 KHz
Genre: Jazz | Label: Kultur Video | Copy: Untouched | Release Date: 22 Nov 2005 | Runtime: 60 min. | 3,46 GB (DVD5)

A legend of the tenor saxophone, Stanley Turrentine was renowned for his distinctively thick, rippling tone, an earthy grounding in the blues, and his ability to work a groove with soul and imagination. Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and also underwent a popular fusion makeover in the early '70s. Born in Pittsburgh on April 5, 1934, Turrentine began his career playing with various blues and R&B bands, with a strong influence from Illinois Jacquet. He played in Lowell Fulson's band with Ray Charles from 1950-1951, and in 1953, he replaced John Coltrane in Earl Bostic's early R&B/jazz band.
VA - Tea & Symphony (The English Baroque Sound 1968-1974) (2020)

VA - Tea & Symphony (The English Baroque Sound 1968-1974) (2020)
Flac (tracks, .cue, log) +booklet / Mp3 320 kbps | 01:16:30 | 385 / 172 Mb
Genre: Pop Rock, Psychedelic / Label: Ace

When psychedelia had run its course in Britain at the end of the 60s, the predominant trend was to get hairier and heavier and more long-winded. Many musicians, however, were still hung up on the trappings of psychedelia's home-grown strain, having found a musical home in its mournful evocations of Victoriana, its village green gentility and its nods to the pleasures of suburbia.

Bob Malach - Some People (1980) {MPS}  Music

Posted by tiburon at Feb. 17, 2019
Bob Malach - Some People (1980) {MPS}

Bob Malach - Some People (1980) {MPS}
WEB | FLAC tracks | Front Cover | 248MB + 5% Recovery
MP3 CBR 320 Kbps | 89MB + 5% Recovery
Genre: Fusion, Jazz-Funk

Malach and French violin star Didier Lockwood were also well-acquainted – Malach would appear on Lockwood’s MPS album “Live in Montreux” later that year. Dutch guitarist Eef Albers had already toured the states with Lee and Brown. The title piece shows that Some People are romantic, some are more on the funky side, as the band slides back and forth between the two. Guitar great John Scofield’s Who’s Who is a funky fusion fest with van’t Hof and Malach showing why they’re at the top of the list. The alluring ballad Three on a Cloud features atmospheric solos by violinist Lockwood and Malach in trio with guitarist Albers.

Bob Holz - Visions: Coast To Coast Connection (2018)  Music

Posted by Domestos at Aug. 4, 2018
Bob Holz - Visions: Coast To Coast Connection (2018)

Bob Holz - Visions: Coast To Coast Connection (2018)
MP3 CBR 320kbps | 00:59:02 | 135.81 Mb | Cover
Jazz, Fusion | Country: USA | Label: MVD Audio

Bob Holz has established himself as a world class drummer and composer. On his third album, Visions: Coast to Coast Connection, he utilizes dreamy sonic landscapes to create a brilliant concept album. Leveraging the bass talents of Stanley Clarke, Holz has created a masterpiece carved out of beautiful and haunting melodies and incredible drumming.
Bob Dylan - Trouble No More: The Bootleg Series, Vol. 13, 1979-1981 (2017) {2CD, Complete Artwork - box with 72 page booklet)

Bob Dylan - Trouble No More: The Bootleg Series, Vol. 13, 1979-1981 (2017) {2CD, Complete Artwork - box with 72 page booklet)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 708 Mb | MP3 @320 -> 365 Mb
Full Artwork @ 600 dpi (jpg) -> 739 Mb | 5% repair rar
© 1979-81, 2017 Columbia / Legacy / Sony Music | 88985454672
Rock / Folk Rock / Blues Rock / Rock & Roll / Gospel / Singer-Songwriter

Bob Dylan converted to Christianity in 1979. Like many who have been born again, Dylan spoke and sang solely of his faith for a brief period – roughly half a year, beginning in November of 1979 and ending in May of 1980. Facing a fan base who were generally furious at his newfound religion, Dylan started to thread some oldies into his set lists but he didn't leave gospel behind until he released Infidels in 1983.

Stanley Clarke: Live 1976 - 1977  Music

Posted by zerumuga at Dec. 12, 2007
Stanley Clarke: Live 1976 - 1977

Stanley Clarke: Live 1976 - 1977
Jazz | 1991 | MP3 320Kbps | 84MB + 56MB | Time 62:64 | Covers


Stanley Turrentine: The Man With The Sad Face  Music

Posted by zerumuga at Nov. 29, 2007
Stanley Turrentine:  The Man With The Sad Face

Stanley Turrentine: The Man With The Sad Face
Jazz | 1976 | MP3 320Kbps | 82 MB | Time 35:03 | Front Cover

VA - Dylan in Jazz (A Jazz Tribute To Bob Dylan) (2018)  Music

Posted by ciklon5 at March 24, 2018
VA - Dylan in Jazz (A Jazz Tribute To Bob Dylan) (2018)

VA - Dylan in Jazz (A Jazz Tribute To Bob Dylan) (2018)
MP3 CBR 320 kbps | 01:15:43 | 182 Mb
Genre: Jazz, Blues / Label: Wagram Music

Wagram Music Presents Dylan in Jazz (A Jazz Tribute To Bob Dylan) album 15 original hits and the original artists genre Jazz, Blues. Includes tracks by Eric Bibb, Hudson, Jack DeJohnette, Larry Grenadier, John Medeski, John Scofield, Ben Sidran and more.

VA - Latin Freestyle (New York / Miami 1983-1992) (2023)  Music

Posted by Rtax at Dec. 22, 2023
VA - Latin Freestyle (New York / Miami 1983-1992) (2023)

VA - Latin Freestyle (New York / Miami 1983-1992) (2023)
CD Rip | FLAC (tracks, no cue, no log) - 577 MB | MP3 CBR 320 kbps - 183 MB
1:18:54 | Electronic, Latin, Freestyle | Label: Ace

Latin Freestyle was a dizzying, passionate, ultra-modern music. It was the aural equivalent of a can of thirst-quenching Quatro or a Spanish Harlem dance-off, and it became the electronically constructed bridge between disco and house.
Freestyle grew out of the electro sound of the early 80s, combined clean staccato rhythms with morse code synth hooks, and topped them off with emotive, usually female, frequently Latina vocals. There was plenty more going on besides: proto-house piano lines, Cuban percussion, high emotion and synth hooks to die for.