Originally recorded live at the New Daisy Theater in Memphis, TN, this DVD combines some of Bobby "Blue" Blands' newer selections as well as several tried and true crowd pleases. Some of the featured songs include "St. James Infirmary", "Farther On Up the Road", "That's the Way Love Is", "I PIty the Fool" and "Soon As the Weather Breaks". A medley between Bland and guest stars Johnnie Taylor and Bobby Rush breathe new life into "Stormy Monday", rounding out this already worthy addition to any Bland fans collection.
Recorded live at the New Daisy Theater with Bland's regular working road band, this captures him in fine form, bringing together old favorites with some other numbers for a heady blend. When called for, the old Joe Scott heavy horn-laden arrangements are summoned up on tunes like "St. James Infirmary," "Farther on Up the Road," "That's the Way Love Is," "I Pity the Fool," and "I'll Take Care of You" with consummate ease. But even more telling is how effortlessly and seamlessly material like Buddy Ace's "Love of Mine," "Members Only," "Soon as the Weather Breaks," and Bill Withers' "Ain't No Sunshine" and "Get Your Money Where You Spend Your Time" meshes with the old standbys. A lengthy slow blues medley brings guest appearances from Johnnie Taylor and Bobby Rush on "Stormy Monday," but the real star here is Bland himself. He's in good voice and good humor, and this makes a fine addition to his stack of latter-day recordings.
There's nobody like Bobby Blue Bland on Duke Records – especially during the early years that are featured on this collection! Bland came out of Memphis with a very unique, really amazing sound right from the start – an approach to blues that was a lot more sophisticated than most of his contemporaries, even those on the LA scene – with lots of jazz in his phrasing, and his backings as well – and this sublime vocal approach that often had Bobby growling in a way that seemed to come from deep down in the depths of his soul, but never in any sort of gimmicky sort of style. Bland was always the perfect balance of cool, class, and outright blues power – and that was never more true than on these sides.
Here on this CD we re treated to an excellent example of a "live" Bobby "Blue" Bland concert recorded at Long Beach, California in 1983. Along with Mel Jackson, Bobby's Bandleader/Arranger/trumpet player, one gets to hear some truly amazing guitar work by the legendary guitarist, Wayne Bennett. Mel Jackson and the Orchestra - kick off the show with a funky soulful instrumental "Mels Groove" to warm up the audience and loosen up the musicians before the Dynamic Bobby "Blue" Bland takes to the stage and runs through his 1962 "Ain't That Loving You", and his 1959 "I'll Take Care Of You", (two Duke classics)…
This 1991 release, along with Years Of Tears from 1993, amply demonstrate the enduring power of Bobby Bland, a most singular blues singer. Justly hailed for his '50s records on the Duke label, Bland remained a powerful presence over the ensuing decades. As with all of his recordings for the Jackson, Mississippi-based Malaco label, the bulk of the songs were penned by Malaco's in-house writers. One of the set's only numbers from an outside source is the opening "Ain't No Love For Sale" by John Barranco.
With his characteristic snorts and growls, it's clear from the outset that Bobby "Blue" Bland is in command. Portrait is his usual mix of bluesy shuffles, ballads, and soulful stomps. And any album that's got a song called "She's Puttin' Something In My Food" has got a leg up on the competition…
When Bobby "Blue" Bland was recording for Malaco in the '80s and '90s, many blues experts asserted that he was past his prime - and they were right. Bland had done his best work for Duke in the '50s and '60s, and his voice wasn't what it once was. But the blues/soul singer was still capable of delivering a worthwhile album, and he still had a loyal fan base. In fact, the singer was a consistent seller for Malaco, which could generally be counted on to give him good or excellent material to work with. Recorded when Bland was in his late fifties, Midnight Run isn't remarkable but is generally decent. The production of Tommy Couch and Wolf Stephenson is rock solid, and Bland is soulful and satisfying on the amusing "Take off Your Shoes," the reggae-influenced title song, and arrangements of Bill Withers' "Ain't No Sunshine" and the Mel & Tim hit "Starting All Over Again."