Body Count 1992

Rare 1992 UK 127-track remastered 6-CD box set compilation featuring a complete as possible collection of recordings from John Lee Hooker's Vee-Jay years, including previously unreleased tracks. Themaster expresses the passion of the blues, from blue mood to the boogie, showing his ability to transcend generations and conquer new audiences. Each disc is issued in a jewel case picture sleeve and housed in a silver embossed picture slipcase with a 28-page booklet.
John Lee Hooker was beloved worldwide as the king of the endless boogie, a genuine blues superstar whose droning, hypnotic one-chord grooves were at once both ultra-primitive and timeless. But John Lee Hooker recorded in a great many more styles than that over a career that stretched across more than half a century.

William "Count" Basie made a major contribution to the popular success of Big Band Swing. His Orchestra had two major strengths; dynamic, inventive soloists - and a closely-knit rhythm section that swung to perfection. Basie was also a particularly gifted pianist, and a leader capable of getting maximum effort and precision from his men. This combination of forces produced electrifying results - captured for posterity in his early 78 rpm records - a further selection of which are heard here in new digital stereo - impressions which seek to reveal the full "live" impact of one of the greatest Big Bands ever assembled.

Dinah Washington's first solo recordings (with the exception of a session supervised by Lionel Hampton in 1943) are included on this Delmark repackaging of her Apollo sides. Recorded in Los Angeles during a three-day period, the 12 selections feature the singer with a swinging jazz combo that has tenor-saxophonist Lucky Thompson, trumpeter Karl George, vibraphonist Milt Jackson and bassist Charles Mingus among its eight members. The 21-year-old Washington was already quite distinctive at this early stage and easily handles the blues and jive material with color and humor. Recommended despite the brevity (35 minutes) of the CD.

First-rate example of connecting diverse styles and traditions. Alexander, a solid soloist well versed in Caribbean music, integrates rhythms from the islands into his solos, yet retains the jazz edge and drive. A great supporting cast as well which includes Slide Hampton and Jon Faddis.

In the '70s, harmonica man Billy Branch was one of the young upstarts helping to keep the Chicago blues sound alive; in the 21st century, he's matured into one of the Windy City's most venerable blues talents, and as a musician and educator, Branch has spread the word about the blues across the country and around the world. Branch has led the Sons of Blues, his backing band, since the mid-'70s, and despite numerous personnel changes, the SOBs have never wavered in their dedication to pure, unadulterated Chicago blues.
On this recording, Billy Branch and the Sons of Blues deal out the Blues as though they were in a night club. Straight ahead, to the point, with the intent to make us dig deep, and feel good, or however we need to feel. The music is diverse, and showcases the talent of Carl Weathersby as well as Billy.

Carl Vine has been firmly established as one of Australia’s leading composers for some years now although in the U.K. his name may be most familiar to many for his orchestral work, Descent, which figured as a finalist in the very first Masterprize competition several years ago.

Six years after its initial appearance, Ronnie Wood's fifth solo album, Slide on This, is reissued by KOCH International in a deluxe package. There is one bonus track, a remixed version of the leadoff song, "Somebody Else Might," but the real draw to this version of the album is the 56-page booklet packaged with it, which contains examples of Wood's painting. He takes as his subjects his fellow members of the Rolling Stones, along with other musical peers such as Pete Townshend and Keith Moon of the Who, the Edge from U2 (who contributes some guitar work to the album), and Bob Dylan, as well as music legends like Bessie Smith, Billie Holiday, Jimi Hendrix, and Jim Morrison, and even a few animal portraits.

Jubilation is a revealing, wonderful collection of the Holmes Brothers' distinctive soul. The brothers tie together a seemingly disconnected array of styles – everything from straightforward blues, R&B, and gospel to worldbeat and country – and come up with a cohesive whole. Even when the group delves into soukous or works with a Chinese flutist, it manages to retain the pure qualities of American blues and R&B.