Bon Iver

Arriving swiftly on the heels of First Two Pages of Frankenstein, Laugh Track is indeed a companion record to its 2023 cousin, boasting similar cover art and containing songs written – but not necessarily recorded – during those same sessions. Given those overt similarities, it's not a surprise that Laugh Track often sounds like a continuation of Frankenstein, tilling the same meditative ground and generating similarly nuanced results. The National remains fascinated by the consoling power of stillness, operating at a low hum that allows space for Matt Berninger to ruminate as the band searches for variations of texture within cycling chords. Laugh Track isn't quite as tightly controlled as Frankenstein, often for the record's benefit.

Moved by the warm response to 2016’s You Want It Darker, released three weeks before his death, Leonard Cohen left his son with instructions to finish those songs they’d started together, using vocal recordings he was leaving behind. In an act of devotion—to his father, to song—Adam wrote and recorded arrangements for each, as he thought Leonard would have wanted to hear them. The result is Thanks for the Dance, a posthumous album of unreleased material that’s as loving and respectful as they come. “This was not meant to be about me,” Adam tells Apple Music. “I didn’t make choices that were a reflection of my taste—the exercise was to try to make choices that were a reflection of his. It’s this advantage that I have over much greater and more accomplished producers: They don’t know what he hates. I do.” Here, he tells us the story behind each track and highlights some of his favorite lines.

The transcendent new album from Ani Di Franco, Revolutionary Love marks the latest proof of one of her most powerful gifts as an artist: a rare ability to give voice to our deepest frustrations and tensions, on both a personal and political level.