If you die you're completely happy and your soul somewhere lives on. I'm not afraid of dying. Total peace after death, becoming someone else is the best hope I've got.
Punk is musical freedom. It's saying, doing and playing what you want. In Webster's terms, 'nirvana' means freedom from pain, suffering and the external world, and that's pretty close to my definition of Punk Rock.Kurt Cobain
Digitally remastered and expanded three disc (two CDs + DVD) editions of studio albums by British alternative rock band Suede. Collection includes: Suede (1993), Dog Man Star (1994), Coming Up (1996), Head Music (1999) and A New Morning (2002).
Hotei’s debut international “Strangers” is a genuinely unique, thoughtful, and diverse album- equal parts rock, dance, punk, and electro. It features an array of special guests from around the globe including the iconic Iggy Pop, Richard Z. Kruspe from European rock giants Emigrate/Rammstein, Matt Tuck from one of the UK’s most successful and best loved rock bands Bullet For My Valentine, and Noko from electronic band pioneers Apollo 440. “Strangers” demonstrates Hotei’s diversity as a songwriter and virtuoso guitarist mixing instrumental epics with contemporary masterpieces…
The Comas formed in Chapel Hill, NC, in March 1998 as a joke country band, a sort of counterweight to the hyped No Depression movement. Before long, however, both the "joke" and the "country" parts of the concept were eliminated, thus allowing the band to develop into a quirky alternative rock outfit. The Comas' respectable 1999 debut, Wave to Make Friends, was comprised of sleepy (but not lethargic) indie pop and off-kilter boy-and-girl vocal harmonies, courtesy of co-founders Andrew Herod and Nicole Gehweiler. The band's instrumental canvas proved to be larger and more eclectic than that of the typical indie group, buoying the usual guitars and rhythm section with violin, organ, and creative non-rap samples. Faced with the challenge of labeling such music, The Comas' label billed deemed the sound "stoner pop".
Album Review
Evolution: The Hits is a good summary of Dead or Alive's most popular material, concentrating on their chart hits. And there were more of those than you might remember — eight are included that made the U.K. listings, along with four that made the U.S. charts (all of which charted in the U.K., too), including "You Spin Me Around (Like a Record)," "My Heart Goes Bang (Get Me to the Doctor)," "That's the Way (I Like It)," "In Too Deep," and "Something in My House." Popular as some of this stuff might have been, it really epitomizes some of the silliest and most histrionic aspects of those strange days when new wave and the new romantics were being diluted yet further into synth-heavy dance-pop. Three tracks here make their U.S. debut, although these are all from post-'80s releases: "Sex Drive" was released on 1995's Nukleopatra and "Hit & Run Lover" and "Isn't It a Pity" on 1991's Fragile (the latter was only issued in Japan). Also on board are a 2003 remix of "Turn Around Count 2 Ten" and a "metro 7" edit" "You Spin Me Around (Like a Record)," neither of which was strictly necessary unless Epic/Legacy was desperate to pad the running length. Pete Burns contributes the sleeve note.