Bowie Station

Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of styles. Everything from epic ballads and disco to synthesized avant pop is present on Station to Station, but what ties it together is Bowie's cocaine-induced paranoia and detached musical persona. At its heart, Station to Station is an avant-garde art-rock album, most explicitly on "TVC 15" and the epic sprawl of the title track, but also on the cool crooning of "Wild Is the Wind" and "Word on a Wing," as well as the disco stylings of "Golden Years." It's not an easy album to warm to, but its epic structure and clinical sound were an impressive, individualistic achievement, as well as a style that would prove enormously influential on post-punk.

A sequel to the 2015 box Five Years 1969-1973, 2016's Who Can I Be Now? (1974-1976) covers just three years but this stretch in the mid-'70s happens to be the peak of David Bowie's superstardom. That much can be gleaned from the number of albums within the set: three studio albums – Diamond Dogs, Young Americans, Station to Station, each released in a subsequent year – along with the double live album David Live from 1974…

David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/), was an English singer, songwriter and actor who is often considered to be one of the most influential musicians of the 20th century. He was a leading figure in popular music and was acclaimed by critics and fellow musicians, particularly for his innovative work during the 1970s…

15-LP or 11-CD collection boasts three studio albums, a remix compilation, two unreleased live LPs and a 2018 reworking of ‘Never Let Me Down’

One of the greatest performances to ever go down at Glastonbury is heading to your living room: Yes, David Bowie’s legendary, epic, and timeless 2000 headlining set is finally making its way on to every preferable format you could ever want.

The fourth in a series of comprehensive box sets chronicling David Bowie's entire career: Loving the Alien (1983-1988) covers a period that found Bowie at a popular peak yet somewhat creatively adrift. Once Let's Dance went supernova in 1983, as it was designed to do, Bowie's productivity slowed to a crawl: he knocked out the sequel, Tonight, in a year, then took three to deliver Never Let Me Down. By the end of the decade, he rediscovered his muse via the guitar skronk of Tin Machine, but Loving the Alien cuts off with Never Let Me Down, presented both in its original version and in a new incarnation containing tasteful instrumentation recorded in the wake of Bowie's death…