Bowie

David Bowie’s groundbreaking debut album is set for a vibrant revival with a reissue on both CD and coloured vinyl, boasting exclusive tracklists to tantalize fans old and new. Critics of the time commented; with the NME praising Bowie’s fresh sound as “all very refreshing” and hailing him as “a very promising talent.” Melody Maker lauds the album as “a singularly rewarding collection” with “excellent” production, while expressing surprise that Bowie hadn’t yet made a bigger impact on the pop scene. Meanwhile, Disc & Music Echo raves about the album, describing it as “a remarkable, creative debut album by a 19-year-old Londoner” and declaring Bowie as “a new talent that deserves attention.” With such illuminating reviews, this reissue promises to reignite Bowie’s early legacy and introduce his visionary artistry to a new generation of listeners.

After performing his second-to-last selection, "White Light/White Heat," a tune by Lou Reed, the songwriter who most influenced Ziggy Stardust, David Bowie's enduring and indelible persona, Bowie dropped this little nugget on his fans (and bandmates): "Not only is it the last show of the tour, but it's the last show that we'll ever do. Thank you." He then went into a magnificent version of "Rock & Roll Suicide," a song that gives a glimpse of where Bowie could have gone, not to suicide, but to the style of rock & roll that a long-term band can provide. Had Bowie kept the Spiders from Mars together, unique flashes like the version of "Let's Spend the Night Together" or the striking "All the Young Dudes would have continued, a tight little rock & roll band providing a balance that dissipated when the artist branched out on his own.

Bowie is recognized as one of the most respected contemporary musicians of his period. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century.
Inducted into Rock And Roll Hall of Fame in 1996.

Bowie is recognized as one of the most respected contemporary musicians of his period. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century.
Inducted into Rock And Roll Hall of Fame in 1996.

Since David Bowie spent the '90s jumping from style to style, it comes as a shock that Hours, his final album of the decade, is a relatively straightforward affair. Not only that, but it feels unlike anything else in his catalog. Bowie's music has always been a product of artifice, intelligence, and synthesis. Hours is a relaxed, natural departure from this method. Arriving after two labored albums, the shift in tone is quite refreshing. "Thursday's Child," the album's engaging mid-tempo opener, is a good indication of what lays ahead. It feels like classic Bowie, yet recalls no specific era of his career. For the first time, Bowie has absorbed all the disparate strands of his music, from Hunky Dory through Earthling.

This collection celebrates the twelve months running up to the release of the album Hunky Dory in December 1971 via home demos, BBC radio sessions and live and studio recordings.
Contains 48 previously unreleased tracks/demos from the period, and new alternative mixes of 'Hunky Dory' tracks by original co-producer Ken Scott.Two books accompany 'Divine Symmetry', a 100-page hardback book featuring exclusive memorabilia and photos alongside a 60-page replica composite of Bowie’s notebooks from the era featuring handwritten lyrics, costume drawings, recording notes and set lists.

This collection celebrates the twelve months running up to the release of the album 'Hunky Dory' in December 1971 via home demos, BBC radio sessions and live and studio recordings. The collection contains 48 previously unreleased tracks/demos from the period, and new alternative mixes of 'Hunky Dory' tracks by original co-producer Ken Scott.