Although undoubtedly an expensive acquisition, this ten-CD set is perfectly done and contains dozens of gems. The remarkable but short-lived trumpeter Clifford Brown has the second half of his career fully documented (other than his final performance) and he is showcased in a wide variety of settings. The bulk of the numbers are of Brownie's quintet with co-leader and drummer Max Roach, either Harold Land or Sonny Rollins on tenor, pianist Richie Powell, and bassist George Morrow (including some previously unheard alternate takes), but there is also much more.
Die ultimative Blues Kollektion vom Mississippi bis in die Metropolen. In dieser Box befinden sich die Aufnahmen von 100 legendaren Bines Grossen. Die Stile, die Ausstrahlung, die Geschichten und naturlich die geniale Ausubung ihrer Kunst machten sie einzigartig und beeinflussten Generationen nachfolgender Kunstler. Die altesten Mitglieder wurden Ende des 19ten Jahrhunderts geboren, die jungsten unter ihnen spielen noch heute live in ausverkauften Hausern. Die Musik in dieser Box wird Sie befliueln oder erden, zum Tanzen oder Weinen bewegen. Egal oh Zweisamkeit oder in einsamen Stunden: eines ist sicher: Der Blues lebt weiter!
This whopping 30-CD box set gathers together the best of Trojan's three-disc box set series. Included are the Ska, DJ, Dub, Instrumentals, Jamaican Superstars, Lovers, Producer Series, Rocksteady, Roots, and Tribute to Bob Marley volumes, each of which can be found under Trojan Box Set for their individual reviews. What's lacking here is a booklet with additional notes and information; the bulk seems to demand some extra coverage and care, yet all that's here are the original notes of each volume – only as much text as can fit on the back of the CD sleeves. From a music standpoint, however, this box is excellent; a truly diverse and comprehensive collection. Of the 500 songs, less than ten reappear on another volume, so you get a more-than-satisfying amount of music spanning the history of the Trojan label.
When she delivered Box, Sam Brown had long since disappeared from the pop spotlight. It was nearly ten years since the hit single "Stop," and while she had continued to tour and record, her audience had shrunk substantially. That's too bad, because Box is arguably her best effort yet. Brown has always been a fine vocalist, but her material can be uneven. As Box illustrates, she's developed into a first-rate songwriter, capable of crafting melodic, memorable songs with true emotion and depth. It's mature pop with many layers and levels, and while that may limit its audience, those that want to seek it out will be pleasantly surprised by the strength of Box.
The Songbooks inherited from the musical tradition of Broadway are at the epicentre of Oscar Peterson´s musical culture; this was also the case for the one he regarded as a master : Art Tatum. It was to the extent that Oscar Peterson recorded them twice. The first time was at the beginning of 1950s principly as a Trio with guitar and double bass, then a second time with double bass and drums a few years later. It is this first wonderful remastered series that is presented to you here. Technical mastery, irresistible swing, constant inventivness and a remarkable complicity with Ray Brown, Barney Kessel and Herb Ellis characterise this sum of inexhaustible richness.