Bra 2010

Bonniers Trafikskola visar på ett bra sätt hur e-learning kan användas i vardagen för de många människorna. De har lyckats med svårigheterna att göra ett brett och viktigt ämne spännande och underhållande utan att kompromissa med kvaliteten. Interaktiviteten, igenkänningsfaktorn och variationen är hög och det finns en omfattande möjlighet att testa sina kunskaper.”- E-learning awards 2009. Bonniers Trafikskola 2010 är en interaktiv körkortsutbildning där du lär dig körkortsteorin på ett spännande och roligt sätt. Alla teoridelarna presenteras på ett pedagogiskt sätt där du bland annat får lära dig allt om vägmärken, hur du ska uppträda i trafiken och allt om hur en bil fungerar.

Louis, a young teacher enamored of the age of F. Scott Fitzgerald, loses his job when he's caught trying on a bra he finds in a campus office. He decides to go to New York City to find himself and to be a writer.

New York City ballet dancer Nina (Natalie Portman) enters into an intense battle of wills with a talented and ambitious new arrival (Mila Kunis) who seems intent on edging her out of the spotlight in this supernatural-flavored psychological thriller from director Darren Aronofsky. Nina covets the role of the Swan Queen in a production of Swan Lake by acclaimed theater director Thomas Leroy (Vincent Cassel). The harder Nina works to win the part, however, the more overwhelmed she becomes by her suspicions that talented newcomer Lily (Kunis) is intent on stealing it away from her. As the production draws near and Nina struggles to master the duel roles of the White Swan and the Black Swan, she grows increasingly unstable to the point where she finds it difficult to distinguish fantasy from reality.

Louis, a young teacher enamored of the age of F. Scott Fitzgerald, loses his job when he's caught trying on a bra he finds in a campus office. He decides to go to New York City to find himself and to be a writer. He answers an ad for a housemate placed by the eccentric and opinionated Henry Harrison; an odd-couple relationship starts. Louis gets a job selling advertising for a green magazine and fancies Mary, a co-worker. He meets Henry's neighbor, the hirsute Gershon, and Henry offers Paul schooling in the gentleman's world of being an "extra man" - a hired companion, a gigolo - for older women. Can Louis sort out these varied worlds as well as his own expectations?