Brahms Feltsman

No prizes for predicting that this Liszt B minor Sonata is technically flawless and beautifully structured. What may come as more of a shock (though not to those who have followed Pollini's career closely) is its sheer passion. To say that he plays as if his life depended on it is an understatement, and those who regularly accuse him of coolness should sit down in a quiet room with this recording, a decent hi-fi system and a large plateful of their own words. The opening creates a sense of coiled expectancy, without recourse to a mannered delivery such as Brendel's on Philips, and Pollini's superior fingerwork is soon evident. His virtuosity gains an extra dimension from his ability at the same time to convey resistance to it—the double octaves are demonstrably a fraction slower than usual and yet somehow feel faster, or at least more urgent.

Nach dem nun schon viele Jahre ungebrochen andauernden Erfolg der Kuschelrock-Reihe, mausert sich auch das Pendant aus der Klassik zielsicher zu einem Hit. Was nicht verwundert, denn auch Klassikfans wollen romantisch sein. Während bei Kuschelrock in letzter Zeit der Trend allerdings zu mehr Charts-Titeln und daher zu einem eher geringeren Kuschelfaktor ging, blieb Kuschelklassik dem Kuscheln treu. Auch auf Volume 7 wird wieder eine Klassikauswahl präsentiert, die romantische, zärtliche Stunden für Genießer mit gehobeneren Ansprüchen garantiert.