Curzon record is of high quality, and it is good to have this example of his superlative artistry in the music of Mozart, a composer who was particularly close to his heart. Indeed, Curzon's stylistic perfection in Mozart was formed at a time when this composer was often much less well served than he is now. Curzon and the Amadeus Quartet were old friends, and in these versions there is clearly a close rapport between all four players, though [Norbert] Brainin's distinctive, slowish, wide vibrato was already very noticeable in September 1952, when the recordings were made, and seems out of style in Mozart. In every other respect these are superlative, beautifully poised performances.
This CD from EMI features Dennis Brain, in my opinion the greatest horn player who ever lived. In his tragically brief life Brain recorded the definitive versions of numerous works, and although his Mozart horn concertos are my favorites, his treatment of Strauss is a close runner up. Despite these recordings being from the mid-1950s, the musicianship of Brain still makes these the best available. While I like Strauss, I find Hindemith a bit derivative and monotonous, although with Brain's treatment still a delight.
Brain Echoes is a progressive/art/jazz rock music project from Switzerland founded by pianist, keyboarder and composer Mischa Podstransky.
Blackbird (On A White Oak Tree) explores different sound territories, ranging from progressive rock, art rock and jazz rock to even classical music. Songs and instrumentals are part of the palette as well as different voices and a variety of pianos and synthesizers.