Brasileira

Alberto Nepomuceno was a herald of Brazilian musical nationalism. He was one of the first composers in his country to employ elements of folklore in his compositions, he encouraged younger composers such as Villa-Lobos, and his music was conducted by Richard Strauss. The Prelude to O Garatuja, an incomplete opera, is one of his best known works and an example of a truly Brazilian lyric comedy. Série Brasileira is a vivacious suite that employs maxixe rhythms and ends with the feverish batuque dance, while the Symphony in G minor is one of the earliest such examples by a Brazilian, a heroic and lyric structure revealing the influence of Brahms.

An excellent Brazilian guitarist, Baden Powell has played with his share of American jazz greats (including Herbie Mann and the late Stan Getz). But there's no jazz to be found on Seresta Brasiliera, which was recorded for the Brazilian Caju Music label in 1988 and released in the U.S. on Milestone/Fantasy in 1994. The title Seresta Brasiliera translates to "Brazilian serenade," and an unaccompanied Powell embraces the Brazilian serenade style on personal, introspective versions of Pixinguinha's "Rosa," as well as songs he wrote with his frequent partner, the late Vinicius De Moraes (including "Velho Amigo," "Cancao Do Amor Ausente" and "Serenata Do Adeus"). A melancholy mood defines much of the CD, and Powell's playing is often as beautiful as it is sad and remorseful. Seresta Brasiliera is an album with little optimism and plenty of soul.

Essa é uma lista da discografia das escolas de samba do Grupo especial do Carnaval do Rio de Janeiro por ano de lançamento. A lista traz as faixas contidas em cada álbum e seus respectivos intérpretes e compositores. O primeiro álbum foi lançado em 1968 e desde então é produzido anualmente.