Brazilian Music

Brazilian Classics Vol. 4: Tom Zé - The Best of Tom Zé (1990) Music

Posted by bossa_curiosa at Nov. 10, 2007

“Tom ze, the brilliant Brazilian Tropicalia member, has always marched to the beat of his own drummer, and in doing so has created some of the most amazing music to ever come from Brazil. (or anywhere else)” – Sean (Chesterfield, Virginia, United States), Amazon.com

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VA - Brazilian Mescla Music

Posted by rh2 at Sept. 27, 2009

VA - Brazilian Mescla
Latin, Musica Popular Brasileira | 2009 | Mp3 ~192 kbps | Joint Stereo | 116.2 MB

Brazilian music encompasses various regional music styles influenced by African, European and Amerindian forms. After 500 years of history the Brazilian music developed some unique and original styles like samba or Bossa nova. Samba is no doubt the best known form of Brazilian music worldwide, though Bossa nova and other genres have also received much attention abroad. Brazilian Mescla is a journey through lots of different styles that came out throughout the years.

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Master Brazilian Piano: Choro, Samba, and Bossa Nova eBooks & eLearning

Posted by Free butterfly at Dec. 22, 2020

Master Brazilian Piano: Choro, Samba, and Bossa Nova by Hanan Tabouhot
English | 2020 | ISBN: N/A | ASIN: B08NQ4DPBG | 104 pages | PDF | 6.46 Mb

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Fabiano Pereira & Stefan Koschitzki - Brazilian Blues Vol. 2 (2022) [Official Digital Download] Vinyl & HR

Posted by pyatak at Sept. 28, 2022

Fabiano Pereira & Stefan Koschitzki - Brazilian Blues Vol. 2 (2022) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 42:35 minutes | 502 MB
Jazz | Studio Master, Official Digital Download

Already the title-giving pun "Brazilian Blues" breaks with hardened traditional ways of looking at what Brazilian music is and what the blues can be.

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Azymuth - Brazilian Soul (2004) {FARO} Music

Posted by tiburon at May 5, 2019

Azymuth - Brazilian Soul (2004) {FARO}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 200dpi | 486MB + 5% Recovery
MP3 CBR 320 Kbps | 178MB + 5% Recovery
Genre: Fusion, Jazz-Funk, Latin Jazz

Three decades after Azymuth made their first tentative steps into bossa nova society, Brazilian Soul is a return to their blistering form of the early '80s. The new album sees them borrowing from the musical vocabulary that has always been one of the most exciting narratives of Brazilian music, as well as indulging their enthusiasm for new sounds that still makes them heroes and inspirations to a generation of 21st Century producers, from 4Hero to Masters At Work. They have linked up again with a truly great cast of celebrated Brazilian performers, some who were there at the genesis of Azymuth, and some who hitched a ride during the last 30 years – any history of Brazilian music that didn’t include names featured on the album like Roberto Menescal, Fabiola, Emilio Santiago and Marcio Lott wouldn’t be one to be trusted.

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Guitars Unlimited - Quiet Nights & Brazilian Guitars (1966) {2013 Japan Jazz & Bossa Nova Best & More Series CD02of8} Music

Posted by ruskaval at Oct. 22, 2019

Guitars Unlimited - Quiet Nights & Brazilian Guitars (1966) {2013 Japan Jazz & Bossa Nova Best & More Series CD02of8}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 161 Mb | MP3 @320 -> 64 Mb
Full Artwork @ 300 dpi (png) -> 34 Mb | 5% repair rar
© 1966, 2013 Capitol / Universal Japan | TOCJ-66622 | 24bit remaster
Jazz / Bossa Nova / Soul Jazz / Brazilian Jazz / World Fusion

Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. A few short years ago the rich, subtle rhythms of Brazil's popular music swept north to dazzle the American musical scene with a tantalizing new sound. Today that sound has become a permanent part of our musical ways. It is easy to see why, for Brazilian composers have a way of combining melody and rhythm in a meld that gives a feeling of romance to every note, an amorous message to every chord. And this is the spirit that Guitars Unlimited have captured in their first recording … an album of contemporary moods styled for listening today! No violins, no brass, no reeds, only soft guitars and gentle rhythm … and a program of romantic statements as welcome as spring's first sunlight.

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VA - Brazilian Beats Brooklyn (2006) Music

Posted by TmanHome at Jan. 31, 2017

VA - Brazilian Beats Brooklyn (2006)
Jazz-Funk, Latin Jazz, Nu Jazz, Downtempo | MP3 320 kbps CBR | 62 min | 145 MB
Label: Mr Bongo | Rel:2006

For the last 5 years, Sean Marquand and Greg Caz have built BBB a Williamsburg, Brooklyn party of Brazilian rare grooves, Tropicalia, funk, soul, samba-rock and all points in between. Although both are Americans, the event has been fuelled by the several years Sean spent in Bahia and Greg's complete immersion in Brazilian music in every and any form, from any era. The party has developed into a local legend with the help of several much-loved underground mix CDs, and their reputation continues to grow in all parts of the globe: Sean's personal and successful mission to resurrect Black Rio's legendary Uniao Black, while Greg's rocked the hottest Brazilian parties around the globe, in this year alone London Germany, Scotland,Hawaii, Vienna, Istanbul and LA. Brazlian Beats, Brooklyn-style. Features the father of Brazilian Soul, Tim Maia; the legend of forro Luis Gonzaga; possibly the greatest civil engineer turned singer/songwriter in the history of Brazilian popular music Joao Bosco; leaders of the 'Young Guard' of the1960's Brazilian pop-rock scene Erasmo Carlos and Os Increveis and many more.

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Martin Jones - Piano Music of Radamés Gnattali (2023) (Hi-Res) Vinyl & HR

Posted by Rtax at Oct. 5, 2023

Martin Jones - Piano Music of Radamés Gnattali (2023) (Hi-Res)
FLAC (tracks) 24bit-96kHz - 1.08 GB
1:06:58 | Classical | Label: Nimbus Records

Radamés Gnattali (b. Porto Alegre, 27 January 1906; d. Rio de Janeiro, 3 February 1988). Brazilian composer, pianist and conductor. Although classically trained his working life was dominated by popular music. His influence on the arrangements and orchestrations of Brazilian popular music was powerfully felt through his weekly broadcasts on Rádio Nacional which began in 1938, and continued into the mid 1950s. His own compositions are a conscious fusion of classical and popular idioms. Even though Gnattali’s association with popular music undoubtedly prejudiced his reception as a classical composer he was never critical or dissatisfied with Brazilian music. Even towards the end of his life he could say ‘I have never been frustrated with making popular music. I do it gladly and enjoy it very much …If I had gone to Europe, I might have been a great pianist – because I had the qualities for it – but I would never be a Brazilian composer’. This programme is primarily drawn from Gnattali’s earliest works. In this period he is either writing melodies in a popular style, or using folk melodies directly, and the characteristic shape of Brazilian song is never absent for long.

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Martin Jones - Piano Music of Radamés Gnattali (2023) Music

Posted by Rtax at Oct. 5, 2023

Martin Jones - Piano Music of Radamés Gnattali (2023) (Hi-Res)
WEB FLAC (tracks) - 207 MB
1:06:58 | Classical | Label: Nimbus Records

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Marcelo Zarvos - ''Music Journal'' - 2000 MA recordings - FLAC 242.1mb - Mp3 320kbps 101.5mb Music

Posted by radialcyclo at June 11, 2009

Brazilian pianist/composer Marcelo Zarvos continues to stake out his own musical territory at the crossroads of world music, classical, and jazz. His passion for his own country`s folklore and his natural gift as an improviser find their expression in elegantly crafted compositions, a highly personal genre he sometimes calls "world chamber music." Music Journal builds on the fusion of jazz and classical elements Zarvos forged on Dualism (M033A), his 1995 duo release with saxophonist Peter Epstein, and especially the critically acclaimed 1997 quintet album Labyrinths (M040A), with its incorporation of explicitly Brazilian elements. Music Journal features Epstein on soprano saxophone as well as Labyrinths` veterans Dorothy Lawson on cello and Mauro Refosco on percussion, and two newcomers, Chris Dahlgren on bass, and Satoshi Takeishi on drums and percussion. With a greater emphasis on composition, these new entries in Zarvos' repertoire distill his diverse experiences into vibrant, luminous music unlike anything else on the contemporary scene.

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