Bream

This album is a delicious offering from one of the most underrated guitar maestros of all time. Not only does he capture the Samba-inspired passion of Villa-Lobos music (unlike Rodrigo, Villa-Lobos was an accomplished guitarist in his own right), but interprets it in a way that commands and maintains the attention.

Julian Bream is one of the most famous classical guitarists of the twentieth century and he has achieved worldwide fame not only for the guitar but also for his work with the Renaissance Lute. He is considered to be one of the most important ambassadors of the classical guitar and has formed a solid bridge between the music of the past with the technology of today. He helped usher the classical guitar into the modern age.

Where does one begin upon contemplating the vast discography of this master guitarist/lutenist? Well, why not let the artist himself guide you? Bream hand-picked his personal favorites for this 10-album collection, a limited-edition set featuring facsimile LPs with original cover artwork and labels as well as a greatly detailed booklet full of discography notes.

The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.