Bricklayer

Does it take a monster to catch a monster?
As a student, Francis Vincenti asked his mentor, former Chicago PD detective Thomas Aquinas Foster, if it took a monster to catch a monster. Foster, a man with a tortured soul and his own self-righteous brand of justice, didn't have an answer. Now a detective with a string of famous arrests under his belt,Vincenti is known as a cop with an uncanny insight into a killer's psyche. Until the Bricklayer of Albany Park…

In May 1876, even before the premiere of The Kiss, eliška Krásnohorská offered Smetana a subject that combined a story set in a folk environment with elements of fairy tale, magic, and superstition. The action was very complicated, and the material was not used, but certain motifs from it found their way into the libretto for their next opera together, The Secret. Like in The Bartered Bride, the story features two peasants with differing personalities. Atmosphere is provided by the mysterious surroundings of the ruins of old Bezděz Castle, and the plot’s various snares and pitfalls combine a realistic story with a tall tale. Old love amounts to a powerful motif. Somewhere below Bezděz Castle live two widowers, Kalina and Malina, who bear a mutual grudge for reasons lying in the distant past, when the poor man Kalina asked for the hand of Róza, the rich peasant Malina’s sister, but he was rejected by her family. He then married a poor girl, and because he was industrious and, above all, defiant, he managed to build a house, which is just about to be finished.

In May 1876, even before the premiere of The Kiss, eliška Krásnohorská offered Smetana a subject that combined a story set in a folk environment with elements of fairy tale, magic, and superstition. The action was very complicated, and the material was not used, but certain motifs from it found their way into the libretto for their next opera together, The Secret. Like in The Bartered Bride, the story features two peasants with differing personalities. Atmosphere is provided by the mysterious surroundings of the ruins of old Bezděz Castle, and the plot’s various snares and pitfalls combine a realistic story with a tall tale. Old love amounts to a powerful motif. Somewhere below Bezděz Castle live two widowers, Kalina and Malina, who bear a mutual grudge for reasons lying in the distant past, when the poor man Kalina asked for the hand of Róza, the rich peasant Malina’s sister, but he was rejected by her family. He then married a poor girl, and because he was industrious and, above all, defiant, he managed to build a house, which is just about to be finished.

Věra Soukupová, Karel Průša, Václav Zítek (vocalist), Bohuslav Maršík, Eva Hlobilová, Jaroslav Horáček, Oldřich Spisar (vocalist), Daniela Šounová-Brouková, Leo Marian Vodička, Alfréd Hampel, Pavel Horáček, Drahomíra Drobková, Dalibor Jedlička, Marie Veselá, Karel Hanuš, Miroslav Švejda Prague National Theatre Orchestra, Prague National Theatre Chorus, Zdenek Kosler, Milan Malý

Věra Soukupová, Karel Průša, Václav Zítek (vocalist), Bohuslav Maršík, Eva Hlobilová, Jaroslav Horáček, Oldřich Spisar (vocalist), Daniela Šounová-Brouková, Leo Marian Vodička, Alfréd Hampel, Pavel Horáček, Drahomíra Drobková, Dalibor Jedlička, Marie Veselá, Karel Hanuš, Miroslav Švejda Prague National Theatre Orchestra, Prague National Theatre Chorus, Zdenek Kosler, Milan Malý

The dramatic true story of two brothers living parallel lives on either side of the US-Mexico border - and how their lives converged in a major criminal conspiracy.