Immediately following his departure from metal legends Iron Maiden, singer and jack of all trades Bruce Dickinson signed a new deal stateside to Mercury Records and went to work on his second solo effort. Notwithstanding some dreadful artwork, his Polygram debut, Balls to Picasso, is somewhat of a disappointment and, for the most part, an ill-conceived project…
In 1990, Bruce Dickinson launched his solo career with Tattooed Millionaire, which is far from a carbon copy of his work with Iron Maiden. Many of the fans who knew him as Maiden's lead vocalist assumed that this solo debut would be Maiden-like – they expected an album of aggressive yet melodic fantasy metal in the Maiden/Ronnie James Dio/Black Sabbath vein. But Tattooed Millionaire found Dickinson favoring more of a hard rock/pop-metal approach. This album is full of glossy and lighthearted pop-metal that wouldn't be out of place on an album by Winger, Bon Jovi, or Def Leppard…
Despite leaving Iron Maiden for a spell in the '90s, Bruce Dickinson's solo efforts were not that dramatically different than his albums with Maiden. In fact, quite a few tracks could have fit on such albums as Fear of the Dark with no problem. Thus, it shouldn't come as a surprise that two live sets from Dickinson's '90s solo era sound as if he's fronting Iron Maiden. In 2005, these concert sets, 1995's Alive in Studio A/Alive at the Marquee and 1999's Scream for Me Brazil, were compiled together as a three-disc set, Alive…
Bruce Dickinson, More Balls To Picasso. His classic 1994 album reinterpreted and reissued! Bruce says: “While mixing my entire catalog in Dolby Atmos, I felt a burning desire to reinterpret and reinvent the record. 'More Balls To Picasso' was a labor of love. Of course, we amplified the guitars and even added new ones. Brazilian composer Antonio Teoli contributed stunning orchestral arrangements and, as a unique contribution, added indigenous Amazonian instruments at the beginning of 'Gods Of War' (which he had recorded himself when he lived there!).”