Bruce Springsteen Letter to You

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Only The Strong Survive is the new album from Bruce Springsteen, and his first new album since 2020’s Letter To You. The album is a collection of soul music gems, that celebrate the legendary songbooks of Gamble and Huff, Motown, Stax and many more. Only The Strong Survive features vocals from Springsteen and instrumentation primarily from his longtime producer Ron Aniello. The album also features guest vocals from Sam Moore, as well as contributions from The E Street Horns, full string arrangements by Rob Mathes and backing vocals from Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Fonzi Thornton and Dennis Collins.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

Only The Strong Survive is the new album from Bruce Springsteen, and his first new album since 2020’s Letter To You. The album is a collection of soul music gems, that celebrate the legendary songbooks of Gamble and Huff, Motown, Stax and many more. Only The Strong Survive features vocals from Springsteen and instrumentation primarily from his longtime producer Ron Aniello. The album also features guest vocals from Sam Moore, as well as contributions from The E Street Horns, full string arrangements by Rob Mathes and backing vocals from Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Fonzi Thornton and Dennis Collins.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

Bruce Springsteen Comme Elvis Presley, Bob Dylan, Neil Young et quelques autres, Bruce Springsteen dépasse les frontières du genre musical dans lequel on tenterait de l’encager. Au fil de ses albums, le kid du New Jersey est devenu un symbole, tant musical qu’idéologique. Marchant sur les traces de son idole Dylan, le Boss s’est lancé dans des instantanés souvent poignants de cette bannière étoilé froissée, de l’american dream souvent maltraité, bref la chronique d’une Amérique de la marge, dont il reste l’un des plus étincelants ambassadeurs… Rares sont les musiciens ayant une aura aussi développée auprès de leur public que lui.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.