Bruckner Thielemann

Anton Bruckner's Symphony No. 8 in C minor is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 in Vienna. It is dedicated to the Emperor Franz Joseph I of Austria.This symphony is sometimes nicknamed The Apocalyptic, but this was not a name Bruckner gave to the work himself.

As in previous years, the Vienna Philharmonic’s 2024 New Year’s Concert has been released by Sony Classical in both audio and video formats. Under the baton of Christian Thielemann no fewer than nine of the works from the foot-tapping world of the waltz and polka are featured for the first time on the programme of what remains the most popular event in the world of classical music.

The Vienna Philharmonic, who have premiered four out of Bruckner's '9 Symphonies' are familiar to his music unlike any other orchestra. With Christian Thielemann they have one of the few Bruckner experts on their side. Bruckner (1824-1896) was an Austrian composer best known for his 'Symphonies', 'Masses' and 'Motets'. Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler.

In the autumn of 1872 Anton Bruckner – court organist, university professor and a late developer as a composer – had the opportunity to present his Second Symphony to the Vienna Philharmonic. But its conductor Otto Dessoff, who only a few years later was to conduct the world première of Brahms’s First Symphony and who had arranged a run-through of several new works, including Bruckner’s Second, dismissed the symphony as “impossible” and even as pure “nonsense”, a view contested by a number of other members of the orchestra who raised their voices in its defence. And indeed the Vienna Philharmonic did finally perform the symphony at a public concert a year later to mark the official ending of the Vienna World Fair on 26 October 1873 – without Dessoff. Bruckner himself con- ducted the performance, which was financed by a noble patron – at the previous year’s ill-starred rehearsal he had only been allowed to indicate the tempi. “First rejection” he had noted in his diary at that time, as if it was already obvious to him that this was not to be his last such rejection.