Buxtehude Pachelbel

A marvelous treatment of Pachelbel's lesser known works with a definitive performance of the all-too famous Canon. Too many interpreters of the Canon use the wrong tempo for this work, too slow and sentimental. This group does not and they have made it possible to listen to this work without gagging. They also do a wonderful job of presenting Buxtehude's chamber music. This composer is too often associated with ponderous Baroque organ music.

Johann Pachelbel (baptised September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.

A close contemporary of Buxtehude, Johann Pachelbel was by all accounts an outstanding keyboard player himself, and his compositions provide a fascinating stylistic bridge between early-Baroque composers such as Frescobaldi and Froberger (both of whom influenced him) and the later music of Bach and his contemporaries. Organist Matthew Owens embarks on a major exploration of the many extant organ works of Pachelbel beginning with this first volume recorded on the iconic 1965 Frobenius Organ of The Queen’s College Chapel in Oxford, considered a vital instrument in the classical organ revival in Britain…

During his lifetime, Johann Pachelbel (1653–1706) was best known as an organ composer. He wrote more than two hundred pieces for the instrument, both liturgical and secular, and explored most of the genres that existed at the time. He is considered to be the apex of the 17th century’s south German organ school and generally one of the most important composers of the middle Baroque.