Cada

This progressive rock group has been formed in São Paulo in 1970 by multi-instrumentalist Manito (former The Clevers and Os Incríveis), Pedrinho Batera (drums/vocals) and bass player Pedrão Baldanza. With this formation they released their excellent debut "Snegs" in 1974. Then the band went through a multitude of line-up changes, launched a self-titled album in 1977, comprising mainly funk music and opened for Alice Cooper at the Maracanãzinho Festival (Rio de Janeiro). Soon after the band has been dissolved.
This double CD presents, for the very first time, live recordings from Som Nosso de Cada Dia at their most progressive - during their 70s heyday - carefully selected by the musicians themselves amongst the best sounding tapes available…

This progressive rock group has been formed in São Paulo in 1970 by multi-instrumentalist Manito (former The Clevers and Os Incríveis), Pedrinho Batera (drums/vocals) and bass player Pedrão Baldanza. With this formation they released their excellent debut "Snegs" in 1974. The music presented here is actually a kind of mixture of Italian symphonic prog and (south)-american jazz with some influences by English space rock.

El Camaron de la Isla & Paco de Lucia - Cada vez que nos miramos (1970) {2011 Nueva Integral Box Set CD 02of21}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 208 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (jpg) -> 21 Mb | 5% repair rar
© 1970, 2011 Universal Music Spain | 0602498676554
Flamenco / World Music / Vocal / Guitar / Latin / Western European Traditions

A limited edition of the Camarуn de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. "A generally calmer atmosphere can be noticed in this album". The second album of Camaron de la Isla, with the special collaboration of Paco de Lucia, was released at the start of the new decade. The graphic design of the first album was maintained, with photos of both of them and similar headings, but in this one Perez de Leуn went even further and placed the pair face to face in a position similar to the Mountain of Olives, complete with cross and an apocalyptic horizon in red tones. The yellowed faces of the performers made them seem as if they had just suffered an attack of severe hepatitis. Ole'! Leуn.

Colombian singer/songwriter Marta Gomez is a wonderful, enigmatic talent. Her voice has the lulling softness that evokes Brazil's female vocal icons, yet there's a depth to her writing that goes far beneath the surface. She's also something of an expert on Latin rhythms – there are 13 different ones on this disc, all of them rooted in different cultures, from Colombian bambuco to Argentine chamame. But everything is so perfectly put together that you forget the academic side, pulled along by the music and voice. Recorded over just three days, it's a small masterwork. It doesn't matter if you don't understand Spanish, as Gomez evokes delicate moods in her work, each piece beautifully arranged and shaded, with a very live sound.