As a Chilean-born composer and pianist living in Australia, I have nurtured a penchant for bringing Latin American vernacular music into the classical concert hall. Both of these musical traditions are widespread and possess an immense canon fashioned by many an inspired composer. Just as significant, both have been greatly impacted by a myriad of interactions with vernacular music over several centuries. A brief survey of the Western tradition may identify composers such as Mozart and Beethoven engaging with Turkish music, Bartók with Eastern European folk music, or Bizet and Debussy with Spain.
Deluxe box set containing 21 CDs, four Blu-rays and two DVDs - all audio. Three CDs feature Steven Wilson and Robert Fripp stereo mixes of In The Wake Of Poseidon (1970), Lizard (1970) & Islands (1971) + additional tracks. Six CDs feature the Islands line-ups early concerts from Germany (new to CD) and the UK (1971). Nine CDs feature live recordings (several new to CD and/or previously unreleased in any format) from the 1972 US tour, including a new stereo mix of Summit Studios and an expanded Earthbound…
One of the pioneers of the progressive rock genre. The first official rehearsal of the band was on January 13, 1969. The first line-up comprised guitarist Robert Fripp, lyricist and lighting man Peter Sinfield (who “invented” the name of the band), composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles…
My recent review of Ibrahim Maalouf's "Diasporas", made me search for his father's Nassim Maalouf's "Improvisations Orientales" from 1994, the first solo trumpet CD with his quartertone trumpet, and of which I now found a copy. For this trumpet he added a fourth valve, half the length of the second valve, which is played by the index finger of his left hand. On this CD he demonstrates how Arabic scales or "maqamat" can be played with the trumpet. But the record brings more than just a demonstration. It brings music of a purity seldom heard.
In chemistry, when certain galvanizing elements come together, they become quite explosive. In music, when certain galvanizing artists come together, they become Flying Colors. In fact, whenever the five gentlemen who encompass Flying Colors — guitarist Steve Morse (Deep Purple, Dixie Dregs, ex-Kansas), drummer/vocalist Mike Portnoy (Winery Dogs, ex-Dream Theater, Transatlantic, Sons Of Apollo), keyboardist/vocalist Neal Morse (Transatlantic, ex-Spock’s Beard, and a prolific solo artist in his own right), bassist Dave LaRue (Dixie Dregs, ex-Joe Satriani), and powerhouse vocalist and songwriter Casey McPherson (Alpha Rev, The Sea Within) — are able to conjoin their collective talents, the result is a sweet sonic bouillabaisse that reflects where their inherent mastery of melody intersects with top-shelf progressive musicianship. With Third Degree, Flying Colors continue to fire on all cylinders — and, in the process, they also handily prove the third time’s an unquestionable sonic charm.
Another one of those mega King Crimson box sets is due in November. Sailors’ Tales brings together the ‘complete’ 1970-72 King Crimson across 27 discs. This set includes 21 CDs, four blu-ray discs and a pair of audio-only DVDs.
Alex "Stormy" Mundy and DGM present the unearthed treats from the murky, cavernous archives in the Stormy Monday series, some of which have been newly created from the archive of multi-track reels of tape that we just happen to have lying around the place. For 7 years, these have been available only as MP3s, and more recently FLAC, files, and are now available, for the first time on CD for the "landlubbers" among us.
This set compiles what Robert Fripp contends is "a comprehensive overview for new ears of all that is necessary in the Crimson corpus." Going on to acknowledge that "old-generation completists might disagree with some choices, but material not included here is available for new-generation completists, should they wish." Enthusiasts' personal preferences aside, The 21st Century Guide to King Crimson, Vol. 1: 1969-1974 (2004) is the first of two four-disc volumes gathering the entire recorded output of the band in its variety of personnel. Each CD contains highlights from a specific era, either in the studio or live, and the material is presented in chronological order.