Cairo Cbr

The original soundtrack recording for the 1993 film RUBY CAIRO (aka Deceptions), directed by Graeme Clifford and starring Andie MacDowell, Liam Neeson and Viggo Mortensen. This European reissue of the original film score by Oscar-winning Composer John Barry is very much in the same style of his scores for BODY HEAT, OUT OF AFRICA and SOMEWHERE IN TIME. The disc features a Flamenco verison of the title theme Performed by Ottmar Liebert and Luna Negar and the song THE SECRETS OF MY HEART performed by Kristina Nicchols written by John Barry, Cynthia Haagens and Graeme Clifford.

"Flying Carpet" by Quadro Nuevo & Cairo Steps is an exotic, inspiring and sweeping experience in sound. The collaboration between these two well-known ensembles from Egypt and Germany, brilliantly mixes Sufi elements, jazz harmonies, classical Arabic music, Tango and Oriental - creating an inspirational and powerful atmosphere. Music as a ‘flying carpet’… rising far above the boundaries of time, politics and religion.

L'amore per il Cairo e per l'Egitto è alla base di Cairo Blues, opera al confine tra graphic journalism e reportage illustrato che si propone di raccontare i fermenti della società egiziana partendo da micro-storie, in ossequio a quell'amore per il dettaglio che è cifra stilistica del lavoro di Pino Creanza. Dando volto e voce alle diverse comunità e anime della capitale egiziana, Cairo Blues offre un resoconto visivo e narrativo immediato e "crudo" della società egiziana in cui non mancano i toni malinconici e stonati tipici del "blues", dati dalla profondità della linea, dall'attenzione all'inquadratura e dal tono poetico del racconto.

Journalist G. Willow Wilson brings an extraordinary fable to Vertigo in October with CAIRO, an original graphic novel illustrated by Turkish artist M.K. Perker, himself a contributor to The New York Times and The New Yorker. Set in bustling modern-day Cairo, this magical-realism thriller interweaves the lives of a drug runner, a down-on-his-luck journalist, an American expatriate, a young activist, an Israeli soldier, and a genie as they navigate the city's streets and spiritual underworld to find a stolen hooka sought by a wrathful gangster-magician.

I love this recording and have listened to it again and again. Donna Summer's cover of "State of Independence" is inspirational, anthemic, but the musicians here obviously have a lot of fun as well. The title song is a wonderful tip of the hat to forties films. The Spanish singer, Ana Belen, was moved by "I'll find my way home," a song which she covered on "Geminis." "Back to School" is silly and grating, but provides comic relief. For me, however, the most spectacular track is "The Mayflower," which beautifully captures the loneliness of human existence, the desperate need to leave the comfort of home, and the alienating effect of technology on our lives. A group of humans are marooned in space, unable to communicate with or return to Earth. Atmospheric music and the innocence of Jon Anderson's tenor are punctuated by a crackling of radio transmissions across vast distances. It is such a sad, beautiful work of art. For fans of Vangelis at his loveliest, there are a couple of other tracks sure to please, "Beside" and "Outside of This (Inside of That)."

Sin cerrar los ojos a los tesoros que esconde la capital egipcia, la mirada de Pino Creanza se dirige primordialmente a los lugares que pasan desapercibidos a los apresurados turistas, desde las ostentosas urbanizaciones de lujo a los barrios marginales, ya sea la Ciudad de los muertos, donde se hacinan los traperos de El Cairo, o aquellos otros en que habita la minoría copta. Pero el eje vertebrador de este reportaje gráfico son las movilizaciones populares que culminaron con la caída de Mubarak. Por él desfilan los activistas y las mujeres que en aquellos días de enero y febrero de 2011 tomaron las calles de El Cairo y rompieron el muro de silencio que los había atenazado durante décadas.

Cairo was a comic book monthly and then bimonthly, published by Standard, which appeared 75 regular issues (plus two extraordinary case) between 1981 and 1991. He was part of so-called adult comics boom in Spain, and the named chief representative of the clear line, one of the three major schools of the cartoon aesthetic of the 80 Spanish, along with the dodgy line and represented by the magazine Madriz. Among the authors who published in it include Micharmut, Mique Sense and Daniel Torres (four assigned to the New School Valencia), Calatayud, he covered and Pere Joan. –Wiki