Caligari 1919

"Metropolis" (1927), "The Cabinet of Dr. Caligari" (1920), "M" (1931), "Nosferatu" (1922), "People on Sunday" (1930) and "Berlin, Symphony of a Metropolis" (1927) all rank among the classics and most influential films of European Cinema. Siegfried Kracauer, who wrote the groundbreaking book 'From Caligari to Hitler' (1947) on this 'Weimar Cinema', is a central figure, as is Fritz Lang, the most versatile of all Weimar directors. The viewer will encounter the cast members of the young Republic's stage: Marlene Dietrich, Louise Brooks, Emil Jannings, directors such as G.W. Pabst and F.W. Murnau, writers like Billy Wilder and many more - those who helped shape the new art of cinema.

In the midst of the desert, a retired gold miner follows his passions of silent movies, local history and sign painting, creating a unique menagerie in his house with no commercial thoughts. Welcome to "Caligari's Workshop".

A delirious young woman (Glynis Johns) feels trapped in a remote mansion at the mercy of a madman (Dan O'Herlihy).

Because the Baron of Chanterelle wants to preserve his family line, he forces his timid nephew Lancelot to choose one of the village maidens to wed. Lancelot flees to a monastery to escape the forty eager maidens. When the gluttonous monks discover that the Baron is offering a large sum for the marriage, they suggest Lancelot marry a mechanical doll instead. The doll maker has just finished making a replica of his daughter Ossi, but his assistant accidentally breaks it and convinces the real girl to mimic the doll. Lancelot buys her, thinking she is a doll, and takes her back to the monastery, where they are wed.

S'appuyant sur le titre d'un article célèbre d'Emile Zola pour la défense de Dreyfus, J'accuse est une oeuvre majeure d'Abel Gance dénonçant la guerre, en se servant pour fil conducteur de la vie et de la mort d'un ancien poilu devenu pacifiste convaincu.

The early life story of Veteran Mustafa Kemal Atatürk, the founding father of the Republic of Turkey and its first President, supreme commander of Turkish War of Independence, and revolutionary statesman.

The history of screen comedy did not begin with Charlie Chaplin or Buster Keaton. Prior to their appearances on the American screen, an entire generation of comedians was already establishing (and breaking) the boundaries of this rapidly evolving genre. While working at the Vitagraph Studios, music hall artists such as John Bunny, Frank Roberts, and Mr. and Mrs. Sidney Drew retooled their brands of comedy into something uniquely cinematic, advancing the art form and setting the stage for the slapstick explosion. This three-disc collection, presented by the Library of Congress, showcases the bold innovation of these overlooked pioneers, including the ingenious trick film The Disintegrated Convict, the gender-bending irrereverence of Edith Storey, and the epic scale of Larry Semon’s The Sawmill. Vitagraph Comedies also provides precious glimpses of comedians (e.g. Flora Finch or the comedy duo Montgomery and Rock) who are virtually forgotten today, because so little of their work has survived.

The history of screen comedy did not begin with Charlie Chaplin or Buster Keaton. Prior to their appearances on the American screen, an entire generation of comedians was already establishing (and breaking) the boundaries of this rapidly evolving genre. While working at the Vitagraph Studios, music hall artists such as John Bunny, Frank Roberts, and Mr. and Mrs. Sidney Drew retooled their brands of comedy into something uniquely cinematic, advancing the art form and setting the stage for the slapstick explosion. This three-disc collection, presented by the Library of Congress, showcases the bold innovation of these overlooked pioneers, including the ingenious trick film The Disintegrated Convict, the gender-bending irrereverence of Edith Storey, and the epic scale of Larry Semon’s The Sawmill. Vitagraph Comedies also provides precious glimpses of comedians (e.g. Flora Finch or the comedy duo Montgomery and Rock) who are virtually forgotten today, because so little of their work has survived.

The history of screen comedy did not begin with Charlie Chaplin or Buster Keaton. Prior to their appearances on the American screen, an entire generation of comedians was already establishing (and breaking) the boundaries of this rapidly evolving genre. While working at the Vitagraph Studios, music hall artists such as John Bunny, Frank Roberts, and Mr. and Mrs. Sidney Drew retooled their brands of comedy into something uniquely cinematic, advancing the art form and setting the stage for the slapstick explosion. This three-disc collection, presented by the Library of Congress, showcases the bold innovation of these overlooked pioneers, including the ingenious trick film The Disintegrated Convict, the gender-bending irrereverence of Edith Storey, and the epic scale of Larry Semon’s The Sawmill. Vitagraph Comedies also provides precious glimpses of comedians (e.g. Flora Finch or the comedy duo Montgomery and Rock) who are virtually forgotten today, because so little of their work has survived.

The history of screen comedy did not begin with Charlie Chaplin or Buster Keaton. Prior to their appearances on the American screen, an entire generation of comedians was already establishing (and breaking) the boundaries of this rapidly evolving genre. While working at the Vitagraph Studios, music hall artists such as John Bunny, Frank Roberts, and Mr. and Mrs. Sidney Drew retooled their brands of comedy into something uniquely cinematic, advancing the art form and setting the stage for the slapstick explosion. This three-disc collection, presented by the Library of Congress, showcases the bold innovation of these overlooked pioneers, including the ingenious trick film The Disintegrated Convict, the gender-bending irrereverence of Edith Storey, and the epic scale of Larry Semon’s The Sawmill. Vitagraph Comedies also provides precious glimpses of comedians (e.g. Flora Finch or the comedy duo Montgomery and Rock) who are virtually forgotten today, because so little of their work has survived.