Call me Madam

Boisterous, fun-loving, and popular Washington D.C. hostess Sally Adams is appointed U.S. Ambassador to the Grand Duchy of Lichtenburg, Europe's smallest country. In Lichtenburg, the Duke and Duchess are negotiating a political marriage for their niece, Princess Maria in exchange for a substantial dowry.

Jazz pianist Bud Powell recorded these tunes in Copenhagen on April 26, 1962 with 15-year-old bassist Niels-Henning Ørsted Pedersen and drummer William Schiopffe. Released at one point under the title Bud Powell In Copenhagen, the album features breezy interpretions of songs by Thelonious Monk, Irving Berlin, Coleman Hawkins, Tadd Dameron and others.

Long overlooked in histories of finance, women played an essential role in areas such as banking and the stock market during the late nineteenth and early twentieth centuries. Yet their presence sparked ongoing controversy. Hetty Green's golden touch brought her millions, but she outraged critics with her rejection of domesticity. Progressives like Victoria Woodhull, meanwhile, saw financial acumen as more important for women than the vote. George Robb's pioneering study sheds a light on the financial methods, accomplishments, and careers of three generations of women.

Bestselling "sexpert" Xaviera Hollander's first how-to guide—on how to have mind-blowing sex. Xaviera Hollander may not have invented sex, but she is certainly one of its most outspoken proponents. Her book The Happy Hooker has sold more than 16 million copies worldwide and continues to captivate new readers with its humor, its zest for life, and, above all, for its downright honesty.

"Madam Butterfly" is the 7th album by American soul/R&B group Tavares, produced by Bobby Martin and released in 1979 on the Capitol label. By this stage in the group's career, they had become known as a disco act due to successful singles such as "Heaven Must Be Missing an Angel", "Whodunit" and "More Than a Woman." However, Madam Butterfly is noted for its lack of anything approaching disco material, and, as such, is considered to be more akin in style to the group's 1973-'75 albums than to their '76-'78 Freddie Perren-produced output.