Camel

Although Stationary Traveller is a concept album, it musically falls into line with its predecessor The Single Factor, which found Camel trying to refashion themselves as the Alan Parsons Project. Where The Single Factor suffered from Camel's attempts to write pop hooks, Stationary Traveller finds the band breaking down the barriers, opening up their relatively concise songs with long, atmospheric instrumental passages…

Having held their ground during the tornado of punk, Surrey prog-rock stalwarts Camel began the 80s in style with Nude: an ambitious concept LP based on the true story of Japanese soldier Hiroo Onoda, who believed World War II was still ongoing when he was rescued from a remote Philippine island in 1974. It would not be the last time Camel tackled political and emotional turmoil in the 80s, as 1984’s Stationary Traveller would go on to show.

Fantastic comeback by Latimer & Company, witnessing his splendid "Harbour of Tears Tour". The title track is unforgettable, as well as those ones from the concept album based upon the novel by J. Steimback'd "The Grapes of Wrath", that is "Dust and Dreams", the definitive imprinting of CAMEL in the early nineties…

Strap yourself in for another dire journey with Camel. This time it's the Irish immigration to America, a fitting travel companion for Dust and Dreams or Nude. The Celtic overtones are largely dispensed with by the second track, and what emerges is a finely conceived concept album filled with rich, saturated arrangements and guitar leads that cut through the surrounding music like a beacon. More so than Dust and Dreams, Harbour of Tears feels like it was intended for the stage…

Total Pressure is a re-release of a previously released live video (called Pressure Points) originally filmed and recorded on the tour in support of the Stationary Traveller album in the mid 80's…

Camel is the first studio album by English progressive rock band Camel. It was released in 1973. The bonus track "Homage to the God of Light" was originally released in Peter Bardens's solo album The Answer in 1970. By August 1972, Camel were signed to MCA Records. They quickly entered the studio to record their first self-titled album, Camel. A collection of individual songs, chiefly from Andrew Latimer and Peter Bardens, the album was greeted with muted success and MCA did not take an option for a second album. By then, the group had acquired the management team of Geoff Jukes and Max Hole of Gemini Artists (later to become GAMA Records) and had moved to Decca Records, where they would remain for the next 10 years.

A new, larger version of Camel debuted on Nude, a concept album about a Japanese soldier stranded on a deserted island during World War II and staying there, oblivious to the outside world, for 29 years. More ambitious than the preceding I Can See Your House from Here, Nude is in many ways just as impressive…

‘Mirage’: The Album That Brought Camel Into Focus. Released in 1974, almost a year to the day after their debut album, ‘Mirage’ saw Camel take their unique prog brilliance to a new level.