Can The Mind be Quiet

Brothers Don and Phil Everly successfully straddled the line between country and rock-and-roll (with a healthy dollop of R&B) beginning with their first hit record, 1957’s “Bye Bye Love.” Still an oldies-radio staple today, the Felice and Boudleaux Bryant classic began a long stretch of successes for the duo. Archie Bleyer, of Cadence Records, signed the boys in February 1957 and was keenly aware of their potential to appeal to both teenaged and adult markets. At his behest, the Everlys recorded both rockers and ballads, bringing their lustrous, tight harmony blend to both styles. Bleyer’s gambit worked. Hits like “Wake Up, Little Susie” and “When Will I Be Loved” merged classic country-and-western and rock-and-roll into an inspirational whole, while their longing, ethereal vocal blend on “All I Have to Do is Dream” and “Devoted to You” established them as timeless balladeers.

Though the Seeds' third album, 1967's Future, was pegged by critics as the band's attempt to ride the wave of baroque/psychedelic/orchestral magic the Beatles defined with Sgt. Pepper's, the recording was actually complete before the release of the Beatles' far more popular breakthrough album, making it impossible for the influence to touch the uncannily similarly minded flower power tones of Future. The Seeds had their own relatively huge smash with the raw high-pressure garage thumper "Pushin' Too Hard" the year before, and saw nothing wrong with recycling that tune's melody on more than a few songs on their first two albums…