The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam - Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going up the Country" until its final, very heavy, and up-close guitar coda. Other songs are a little self-consciously heavy, especially their version of Arthur Crudup's "That's All Right, Mama"…
Best remembered for their legendary performances at 1960s rock festivals such as Woodstock and Monterey Pop, Canned Heat uniquely combined rock and blues into one musical stew. This DVD EP contains two rare performances of the band from German television.
The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam – Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going up the Country" until its final, very heavy, and up-close guitar coda.
Some bands just keep on truckin'. Check out Canned Heat, closing out the millennium with a new album of new material. This is a good title for the album because since forming 33 years ago, the band is still going on fusing boogie rhythms with rock instrumentation. Still, there is plenty of variety here. On "World of Make Believe" they go halfway to meeting Santana and on "Dark Clouds" they recall Willie Dixon.
A fine little blues-rock jug band from the 1960s, Canned Heat had already been bitten hard by the rock & roll tragedy bug, losing key member Alan "Blind Owl" Wilson to a fatal drug overdose by the time they'd made their sole appearance at Montreux in 1973. Luckily for history's sake, the great bluesman and multi-instrumentalist Clarence "Gatemouth" Brown was on hand to step in with the band for this appearance, sparking things along nicely, and luckily, too: the set was filmed and recorded, eventually appearing on both DVD and CD, making it, particularly because of Brown's contributions, a valuable and fun archival historical release.