Cannonball Adderley

Why Am I Treated So Bad! is a live album by the Cannonball Adderley Quintet, recorded at the Capitol studios in Los Angeles in 1967. The song "I'm on My Way", was written by his nephew Nat Adderley, Jr., who at the time was an 11-year-old living in Teaneck, New Jersey.

Reissued in this two-CD set are all of the recordings from the first Cannonball Adderley Quintet, a group that despite its talents failed commercially. With Cannonball on alto, cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb, it is surprising that the group did not make it, but the Adderleys were fairly unknown at the time.

Cannonball Adderley - Cannonball Plays Zawinul (2004) {Capitol Jazz rec 1961-71}
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© 2004 Capitol Jazz / Blue Note | 7243 5 97070 2 0 | 24-bit remaster
Jazz / Hard Bop / Fusion / Soul Jazz / Saxophone

Compiled by pianist Joe Zawinul, this Capitol collection features 10 songs composed by Zawinul himself and performed by the Cannonball Adderley Quintet. Both one-time members of Miles Davis's groups, Adderley and Zawinul began their association in the early 1960s when Zawinul joined the sax man's ensemble. In addition to writing some of Adderley's most memorable and popular material, Zawinul proved instrumental in pushing the quintet toward a more soulful, commercially viable sound.

Cannonball Adderley - Cannonball Enroute (1958) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9961}
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© 1958, 2013 Mercury / Verve / Universal Japan | UCCU-9961
Jazz / Hard Bop / Soul Jazz / Saxophone

Cannonball Enroute is the sixth album by the jazz saxophonist Cannonball Adderley, and his first released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom".

Cannonball Adderley - Cannonball In Japan (1966) {Capitol Jazz Japan CDP 7 93560 2 rel 1990}
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© 1966, 1990 Capitol Jazz / Toshiba-EMI | CDP 7 93560
Jazz / Hard Bop / Soul Jazz / Saxophone

A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with tracks that are long and a bit stretched out, performed with Nat Adderley on cornet, Joe Zawinul on piano, Vic Gaskin on bass, and Roy McCurdy on drums.

Cannonball Adderley - Love, Sex And The Zodiac (1974) {Fantasy–BGP Records CDBGPM235 rel 2011}
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© 1974, 2011 BGP Records | CDBGPM 235
Jazz / Soul Jazz / Hard Bop / Jazz Funk / Saxophone

Jazz saxophone great Cannonball Adderley is not usually thought of as a novelty artist, or even one who made embarrassing sellout moves to the pop market, regardless of his success with soul-jazz and his hit 1967 single "Mercy Mercy Mercy." This 1974 album, however, can scarcely be thought of as anything but an embarrassing novelty, and one that will have little appeal to fans of the records for which Adderley is most famous. The real artist on this album is not so much Adderley as Rick Holmes (jazz DJ on Los Angeles radio station KBCA), who wrote and narrated the voice-overs to which Adderley and other musicians supplied a musical backdrop.

Digitally remastered edition of this 1975 album by the Jazz great. In what would turn out to be the final years of his short life, jazz great Julian "Cannonball" Adderley embarked on a number of ambitious, genre-stretching projects. The last of these was 1975's Big Man, the score for a musical play based on the John Henry ("the steel driving man") American folk legend. The album was released as a two-LP set with libretto, and featured music from Adderley and his then-current musical associates including brother Nat Adderley, George Duke (using the alias "Dawilli Gonga"), Roy McCurdy, Airto Moreira, Carol Kaye and others. The sessions also made full use of a large string section and chorus, while the primary vocalists in Big Man sang and read their lines in character; the vocal cast included lead vocalist Joe Williams, Randy Crawford, and Robert Guillaume. Long out of print and never before issued on CD, Real Gone Music's reissue of Big Man boasts liner notes by Bill Kopp with quotes from Robert Guillaume, and the full libretto, with remastering by Joe Tarantino. The final artistic statement from a jazz giant!

Cannonball Adderley with Milt Jackson - Things Are Getting Better (1958) {OJC Remasters Complete Series rel 2013, item 28of33}
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© 1958, 2013 Riverside / Concord | 60th Anniversary of Riverside Records | 0888072346024
Jazz / Hard Bop / Soul Jazz / Saxophone

Concord Music Group will release five new titles in its Original Jazz Classics Remasters series. Enhanced by 24-bit remastering by Joe Tarantino, several bonus tracks on nearly each disc (some previously unreleased) and new liner notes providing historical context to the original material, the series celebrates the 60th anniversary of Riverside Records, the prolific New York-based label that showcased some of the most influential jazz artists and recordings of the 1950s and '60s.