Capping Head

Peter Gabriel has released Flotsam and Jetsam, a collection of b-sides and rarities spanning his lengthy solo career.

The swing revival was custom made for singers like Keely Smith. Keely Swings Basie Style… With Strings follows 2000's Swing, Swing, Swing and 2001's Grammy-nominated Keely Sings Sinatra, capping off a trilogy of lovingly performed classic jazz. Smith's backward glance, however, isn't just pure nostalgia. Keely Swings Basie Style, for instance, begins with Count Basie-style arrangements and then applies them to a number of songs not necessarily associated with the bandleader. The addition of strings provides another distinctive layer. Smith begins with "April in Paris" and brings her warm vocals to bear on a number of other classics, including "Happiness Is a Thing Called Joe" and "How High the Moon." There's a particularly lovely take on "Mood Indigo" and a bouncy version of "Cherokee (Indian Love Song)"…

Capping nearly three decades on the scene, Sum 41 bid farewell the only way they really could: merging their punk and metal extremes on the sprawling double album Heaven :x: Hell. All those years of stylistic evolution collide on this 20-song collection, which is split evenly into the pop-punk Heaven side and the metal-leaning Hell side (naturally). Finding the sweet spot among Billy Talent, Green Day, and blink-182, this is standard, anthemic pop-punk goodness, designed for pogo-bops, fist-pumping, and light moshing, all centered on Deryck Whibley's acrobatic vocals. The big singalong choruses of catchy standouts like "Dopamine" and "Bad Mistake" ride Frank Zummo's freewheeling drumming, as the twin guitar attack of Dave Baksh and Tom Thacker propel this track headlong into the sunset. Heaven, according to Sum 41, sounds fun, urgent, and energetic (even when the lyrics say otherwise)…

One of the finest vocalists of the 1950s, Dinah Washington could sing just about anything, was a popular attraction for 20 years and was known as the Queen of the Blues. ~ Jazz Heritage