Few singers have fused words and music as eloquently as Elisabeth Schwarzkopf, and few sopranos have proved more radiant in Strauss. All this makes her the ideal protagonist in the composer’s final opera, his ingenious and engaging ‘conversation piece’ on artistic themes. Schwarzkopf is joined by a cast of superlative stature and style and by a conductor intimately identified with the works of Strauss, Wolfgang Sawallisch.
Wolfgang Sawallisch was a German conductor and pianist, known for his refined interpretations of orchestral and opera repertoire. As a pianist, he was a revered accompanist and chamber musician, as well as an accomplished soloist. He was born in 1923 in Munich to Maria and Wilhelm Sawallisch, and had a brother named Werner who was older by five years. He started learning the piano at age five, and by the age of ten he had already decided that he wanted to be a concert pianist as an adult. Upon graduating high school in Munich in 1942, he studied piano with Wolfgang Ruoff until he was drafted into the military, where he served in France and Italy with the Wehrmacht, a branch of the Nazi armed forces. During the final stages of World War II in 1945 he was captured and held in a British POW camp.
Richard Strauss was a supreme composer for the orchestra, and of opera and songs, but in his earlier years he wrote a large amount of chamber music. The young Strauss was heavily influenced by Beethoven, Mendelssohn, Schumann and Brahms, and it was only later that he fell under the spell of Wagner and composed the operas and programme music for which he is best known. This splendid 9-CD set of Richard Strauss’ complete chamber music encompasses a huge range of genres for a variety of instruments.
The discography of Strauss’s last opera is not exactly crowded, but the two existing accounts provide formidable competition for any newcomer. First there was Sawallisch, conducting the Philharmonia for EMI in 1957 (unfortunately in mono) and a cast led by Schwarzkopf, Ludwig and Fischer-Dieskau. Then, in 1971, came that other supreme Straussian, Karl Böhm, with Janowitz, Troyanos and (again) Fischer-Dieskau, recorded in Munich for DG. The new Decca set brings together many of today’s leading exponents of Strauss’s roles, dominated, for me, by the unsurpassed Clairon of Brigitte Fassbaender, now alas, never to be heard on stage again following her retirement. Heilmann and Bär make an ardent pair of rival suitors, Hagegård an admirable Count and Halem a sonorous, characterful La Roche. (There is a delightful link with the past history of the opera in the person of Hans Hotter: he sang Olivier in the 1942 premiere, La Roche in the 1957 Sawallisch set, and here, at 84 when recorded in December 1993, a one-line cameo as a servant.) For many, though, the set’s desirability will rest on Te Kanawa’s Countess.
This 31CD-box brings together all the operatic recordings that the German conductor Wolfgang Sawallisch (1923-2013) made in the years from 1956 to 1993 for EMI Classics and Electrola (now Warner Classics). Aged 11, Wolfgang Sawallisch (1923-2013) heard a performance of Humperdinck's fairytale opera Hänsel und Gretel in his native Munich and, there and then, decided that he wanted to be the man in the orchestra pit who waved his arms and made things happen. It took him a while - war service as a radio operator and a spell as a prisoner of war delayed the inevitable - but by his late 20s he was conducting opera at Augsburg (starting with Hänsel und Gretel) and he had barely turned 30 when at Aachen he became the youngest Generalmusikdirektor in Germany.
This 31CD-box brings together all the operatic recordings that the German conductor Wolfgang Sawallisch (1923-2013) made in the years from 1956 to 1993 for EMI Classics and Electrola (now Warner Classics). Aged 11, Wolfgang Sawallisch (1923-2013) heard a performance of Humperdinck's fairytale opera Hänsel und Gretel in his native Munich and, there and then, decided that he wanted to be the man in the orchestra pit who waved his arms and made things happen. It took him a while - war service as a radio operator and a spell as a prisoner of war delayed the inevitable - but by his late 20s he was conducting opera at Augsburg (starting with Hänsel und Gretel) and he had barely turned 30 when at Aachen he became the youngest Generalmusikdirektor in Germany.
This 31CD-box brings together all the operatic recordings that the German conductor Wolfgang Sawallisch (1923-2013) made in the years from 1956 to 1993 for EMI Classics and Electrola (now Warner Classics). Aged 11, Wolfgang Sawallisch (1923-2013) heard a performance of Humperdinck's fairytale opera Hänsel und Gretel in his native Munich and, there and then, decided that he wanted to be the man in the orchestra pit who waved his arms and made things happen. It took him a while - war service as a radio operator and a spell as a prisoner of war delayed the inevitable - but by his late 20s he was conducting opera at Augsburg (starting with Hänsel und Gretel) and he had barely turned 30 when at Aachen he became the youngest Generalmusikdirektor in Germany.
La Discotheque Ideale Classique brings together the masterpieces of 47 composers (Bach, Beethoven, Chopin, Handel, Ravel, Wagner …) performed by the greatest artists of the prestigious Erato-Warner Classics catalog. The 100 CDs of the box, which contain more than 100 hours of listening, allow you to rediscover the essential works of the classical repertoire.