Tales of Captain Black first appeared in 1979 on the Artist House label in America. It was a label set up for the purpose of allowing visionary artists to do exactly what they wanted to do. They had issued a couple of records by Ornette Coleman previously, so it only made sense to issue one by his then guitarist, James Blood Ulmer. With Coleman on alto, his son Denardo Coleman on drums, and bassist Jamaladeen Tacuma on bass, Ornette's harmolodic theory of musical composition and improvisation (whereby on a scale of whole tones, every person in the ensemble could solo at one time and stay in this new harmony) was going to get its first test outside of his own recordings…
Blood, Sweat & Tears didn't get around to cutting an official live album until they were well past their prime years - in this case, 1975, long after every original member (and even most of their first-generation successors) except for drummer Bobby Colomby (a true founding member, going back to the Al Kooper lineup) and vocalist David Clayton-Thomas, was gone. But, as Clayton-Thomas was back for the accompanying album, New City, and was with the group on this tour, one supposes that Columbia Records decided to take advantage of its good fortune by taping several shows. For his part, the singer is more mannered and pretentious than ever on most of this album, his singing powerful enough but his instincts pushing him more toward loud, ultimately over-the-top soul strutting, lacking any hint of subtlety…