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This tragicomedy was apparently the greatest success of Giovanni Paisiello’s career, some claim considering that he wrote around 90 operas and that his Barbiere di Siviglia both inspired Mozart to produce Le nozze di Figaro as a sequel and caused later audiences to criticise Rossini for daring to tackle the same subject. Although Paisiello (1740-1816) is interesting enough to deserve some attention today, his musical accomplishments are more reminiscent of Cimarosa than anyone else. He did, however, enjoy a colourful life, and served European rulers as diverse as Catherine the Great and Napoleon. When Nina was first performed at La Scala, the title role was taken by none other than Floria Tosca, the singer who was later to inspire Sardou and Puccini.