This Deluxe Edition Re-Issue Box Set features all 5 original CARCASS albums, each with Bonus Tracks or Demo Tracks. Each album also includes an Exclusive DVD featuring parts of the "Pathologist's Report" documentary with interviews, videos & more. All 5 Digipak albums are packaged in an Exclusive Slipcase.
Of all the few truly innovative bands in the realm of extreme metal, few are as exciting to follow from a chronological standpoint as Napalm Death. Beginning with their roots in the mid-'80s as a mutated hardcore punk band with a tendency to detune their guitars, growl their vocals, and play at apocalyptic levels of intensity, the band soon went through many phases that have been nearly as influential: by the late '80s they were the world's definitive grindcore band; at the dawn of the '90s they integrated the complexities of death metal into their grindcore; then in the early '90s they began experimenting with different mutations of post-grindcore metal; and finally in the late '90s they began playing a unique style of metal that blended together the best elements of grindcore, death metal, and mainstream metal…
Few bands ever took the term "death metal" as literally as Liverpool, England's Carcass. The band's penchant for crafting song titles that eschewed Satanic tropes in favor of gruesome medical terminology became as much a calling card as their neck-snapping blend of melodic thrash and punishing grindcore, and when they decided to call it quits in 1996 after the release of the relatively disjointed (by Carcass standards) Swansong, it left a fouler taste than usual in the mouths of their listeners…
Heavy electric piano from Masabumi Kikuchi – played here on two side-long tracks that really stretch out! The album's a live one, and features Kikuchi working with a sextet – a great lineup that features soprano sax, bass, and drums – plus some added organ and keyboards next to Masabumi's own keyboards – especially nice on one track that also features piano! There's a sensitivity to these tunes that's wonderful – a hint at the straighter Japanese trio mode that would dominate later in the 70s, but played with some of the best boldness that scene was bringing to its work at the start of the decade. Titles are both originals – "Yellow Carcass In The Blue" and "Dancing Mist" – both with a sound as evocative as their titles!
Masabumi Kikuchi plays some really great electric piano here – often using the album with loud, bold tones that lie somewhere between Joe Zawinul's work with Cannonball Adderley and Miles Davis! The album's an extremely sweet electric side from the Japanese keyboardist – and it also features great work on reeds from Kosuke Mine, who plays both alto and soprano sax on the set – the latter with a wonderfully soulful, lyrical tone. Other players include Motohiko Hino on drums and Hideo Ichikawa on additional electric piano and organ – and titles include "Dancing Mist", "Thanatos", "Yellow Carcass In The Sun", "EJ", "My Companion", and "Puzzle Ring".