A series that looks directly at "iconic" artists & bands of the 20th Century; providing their best hits on CD, launched in 1999. Run by Universal Canada, 20th Century Masters The Millennium Collection boasts sales of over 9 million, more than 600 titles in a range of musical styles and being the "most succcessful greatest hits series in canada". Alternations to the series include releases focusing on Christmas themed music.
Singer/songwriter and multi-instrumentalist Loreena McKennitt is one of Canada's most beloved national artists, a folk chanteuse, and a new age troubadour who made her breakthrough in the mid-'80s with her literate and oft-experimental focus on Celtic-tinged traditional and original material, coupled with her haunting harp playing. As her career progressed, McKennitt began incorporating Spanish, Galician, and Arabic themes into her repertoire, culminating in a trio of career-defining albums – The Visit, The Mask and Mirror, and The Book of Secrets – that made her an international star. McKennitt went on a long hiatus after the tragic death of her fiance in 1998, but returned to the studio in 2006 with the acclaimed The Book of Secrets, followed by a string of EP's and concert and studio albums, with highlights arriving via 2010's trad-Celtic LP The Wind That Shakes the Barley and 2018's inward looking Lost Souls.
Nancy Wilson's not the first name in bluesy jazz (check out Dinah Washington and Joe Williams for that), but she usually can enliven the form with her sophisticated and sultry style. That's made clear on her rendition of "Stormy Monday Blues," where she eschews blues clichés in favor of a husky airiness, at once referencing a lowdown mood and infusing it with a sense of buoyancy. This split is nicely essayed on Capitol's Blues and Jazz Sessions, as half the tracks ooze with Wilson's cocktail blues tone and the other find the jazz-pop chanteuse in a summery and swinging mood. Ranging from the big band blues of "I've Got Your Number" to the lilting bossa nova "Wave," Wilson handles all the varying dynamics and musical settings with aplomb. Featuring cuts from her '60s prime with the likes of Cannonball Adderley, Oliver Nelson, George Shearing, Gerald Wilson, and a host of top sidemen, this best-of disc offers a fine, off-the-beaten-path overview of Wilson's Capitol heyday.
The Choir of King’s College, Cambridge, is one of the world’s best-known choral groups. Founded in the 15th century, it ranks among the oldest of its kind, and, while originally created for singing the daily services in the college chapel, now enjoys an international tour schedule that has seen it perform all over Europe and beyond. Every Christmas Eve, millions of people tune in to watch the choir’s A Festival of Nine Lessons and Carols from King’s – a service which has been continuously broadcast since 1928.
As a singer, Carol King won over millions of fans with her honest portrayals of love and life. As a songwriter, she penned dozens of hits for others, many which became American pop standards. Now for the first time, these two aspects of a long and celebrated career are combined , telling the complete story of an extraordinarily gifted and successful artists, who is still actively performing to this day, more than four decades later. Disc one features the best of Carole King including collaborations with Celine Dion and Babyface. Disc two features songs penned by King but performed and made hits by other artists.
Over 2 discs it has many of the favourite carols, plus a great selection of lesser-known pieces, all sung pitch-perfectly in a very gentle C of E style, with no drama, theatricals or show-boating. As such it is background music to potter around to, or eat Christmas dinner to, rather than music to actively listen to.
Five centuries, seven languages, and six singers with 35 years of remarkable experience inform this rare collection of choral music. In the world-renowned King's Singers resplendent voices, ancient and modern choral music comes to life with all the blazing immediacy and timeliness of the gospel of the nativity. With 25 pieces of music–ranging from familiar works such as "Coventry Carol" to the obscure Tchaikovsky piece "The Crown of Roses"–the King's Singers move through this hallowed and festive set with the vocal mastery that only three-and-a-half decades of accomplished work together is capable of creating. A number of contemporary carols written in the last century by composers such as John McCabe, Philip Lawson, John Rutter, and others are balanced by pieces by Bach and a host of traditional works. Lawson's "You Are the New Day," performed with a string quartet, stands out as one of the more notable performances. Like most of their music throughout Christmas, it reminds listeners that the art of music often interprets divine aspects gladly realized here on Earth.