In January 1973, David Liebman, the saxophonist who played on the first sessions of On The Corner let himself be persuaded to play with the group. It really wasn’t his kind of music, but he thought that “it was where things were happening,” and as was his habit, he joined the fray. And it was prodigious, even if Miles had reduced his band in an attempt to radicalize the Afro-funk directions of On The Corner. No more keyboards, except for a few touches by Miles himself and no more Indian instruments.
This is the first of the two Ballads albums recorded in Japan in 1986-1987 by the inimitable Richie Beirach. I've been trying to get them for many years, but they have been nearly impossible to track down. Now finally, they are being reissued on the Japanese Sony label. The music is great- it's Richie Beirach playing a mix of his marvelous originals and a few standards.
This is the first of the two Ballads albums recorded in Japan in 1986-1987 by the inimitable Richie Beirach. I've been trying to get them for many years, but they have been nearly impossible to track down. Now finally, they are being reissued on the Japanese Sony label.The music is great- it's Richie Beirach playing a mix of his marvelous originals and a few standards. It's great to hear these solo versions of Elm, Nightlake, Leaving and Sunday Song. As usual, Richie's playing is impeccable-the mood goes from eligaic to dark and brooding. There's also a wonderful letter perfect hommage to Bill Evans on his version of My Foolish Heart.
Rare 1989 Japanese only 1st issue 17-track promotional sample CD featuring all the hits Brown Sugar, It's Only Rock 'n Roll, Start Me Up, Honky Tonk Woman and Jumping Jack Flash…
Japanese first CD pressing, issued and manufactured by CBS/Sony Japan in early 1983. This is Quarterflash's strongest CD. Although it doesn't have the smash hits of the first album, overall it is a better album. This album is 40 minutes long and has 10 tracks. 7 of those are very good. And of the three bad tracks, only one is horrible. The problem with Quarterflash's first album is that the bad tracks are so bad, it takes away from the enjoyment of the good stuff. On this CD, it possible to sit through bad tracks without suffering.
The debut album as a leader by Yoshio Suzuki featuring saxophonist Kohsuke Mine, pianist Takehiro Honda, drummer Hiroshi Murakami & special guest flutist Hideo Miyata. "Friends" is an essential japanese jazz masterpiece ranging from Hard Bop (The Past, K'S Waltz) to Modal jazz (Burning Point) passing by Bossa Nova (Samba De Chico), it includes only Suzuki's own compositions.
Simon & Garfunkel's first masterpiece, Parsley, Sage, Rosemary and Thyme was also the first album on which the duo, in tandem with engineer Roy Halee, exerted total control from beginning to end, right down to the mixing, and it is an achievement akin to the Beatles' Revolver or the Beach Boys' Pet Sounds album, and just as personal and pointed as either of those records at their respective bests…
During 1949-54 Charlie Parker often recorded and performed with a string section. This LP contains a cross section of Bird's live performances from 1950-52 and, although the string arrangements are the same as for the studio recordings, Parker's solos are quite a bit different.
Pink Floyd followed the commercial breakthrough of Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of "Shine on You Crazy Diamond" reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor…