Oblivion Records is delighted to announce the February 15, 2022 release of Cecil Taylor – The Complete, Legendary, Live Return Concert, marking the first chance for listeners to hear the legendary pianist’s 1973 return to live performance in full. The concert saw Taylor reunite with Cecil Taylor Unit members Jimmy Lyons (alto saxophone) and Andrew Cyrille (percussion), with the addition of Sirone on bass. This project, assembled by the original producer and recording engineer Fred Seibert, is a much-anticipated opportunity to hear the missing piece of a puzzle long-thought lost, that adds another chapter to the story of Taylor’s search for artistic freedom.
The release of this four-CD set of works for solo string instruments and orchestra pays tribute, as does the recently issued box-set of ‘British Piano Concertos’, to the imagination and vision of the late Richard Itter and his pioneering Lyrita label. For many, Lyrita was the British music label and was loyally supported by various ‘in house’ conductors, among them Adrian Boult, Nicholas Braithwaite, Norman Del Mar and Vernon Handley. Many of the recordings offered here are from the old Lyrita analogue and early digital catalogue but there are a few recordings made during the label’s short revival between 1993 and 1996 which were not issued until more than a decade after they were made. The set makes for fantastic value for money, each CD containing well over 70 minutes of music, and the performances are generally of tremendous vibrancy and quality.
Features 24 bit digital remastering. Comes with a description. Late in 1967, bassist Cecil McBee left Charles Lloyd's band and was replaced by Ron McClure. The jazz critics and public alike all held their breaths, since Lloyd's band had taken the entire world by storm on the festival circuit; playing Town Hall would surely be an acid test not only of McClure's ability to fill such a big space, but the band's as well – to see if the fire would continue to burn as it had previously. They needn't have worried. The gig, which is presented here as Soundtrack, stomps with all the fury of a live gospel choir trying to claim Saturday night for God instead of the other guy.
"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.
10-CD box set that contains 250 original Rockabilly recordings. Featuring Jonny Cash, Carl Phillips, Johnny Horton, Marty Robbins, Tennessee Ernie Ford, Hank Thompson, Faron Young, Bill Haley & The Saddlemen and many others. All the tracks were recorded between 1947 and 1960 but with the vast majority coming from the 1950's.
Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.
Here's one of the great untold stories in American music, revealed at last! Harry Choates was a natural-born musician. He's famous as a Cajun fiddle player, but he could play matchless Western Swing fiddle and jazz guitar to rival Django Reinhardt. His fellow musicians say he played piano and mandolin superbly, too. In 1946, Harry Choates recorded the Cajun classic Jolie Blonde, forever mistitled Jole Blon. It was cut for a tiny local label, but became a nationwide smash, inspiring numerous cover versions, sequels, and prequels. For the first time, the story is revealed here.
TOM WAITS - UNDER THE COVERS (THE SONGS HE DIDN T WRITE) While Tom Waits has been responsible for some of the finest compositions of the past 40 years, his regular interpretations - particularly when performing live - of songs written by others often remain as enticing and delightful as his delivery of his self-penned numbers. This splendid collection includes 24 such renditions, recorded live in concert for FM broadcast at various points in his career thus far. Including songs originally, or most famously, performed by artists and groups as eclectic and diverse as The Doors, James Brown, Peggy Lee, Ewan MacColl, Elvis Presley and many others, this CD will delight Tom Waits enormous fan base as it catalogues the very best of this skilled translator s readings of many great compositions.