Cell Block 9

The Coasters were the 1950s' (and early rock's) dominant novelty/comic R&B ensemble, benefiting from Jerry Leiber and Mike Stoller's lyrical wit and inspired production. They weren't simply proficient clowns; the Coasters were a skilled vocal unit whose talents were utilized on slice-of-life narratives, prophetic youth manifestos, and even an occasional teen anthem, as well as the prototype humorous vehicles "Yakety Yak" and "Poison Ivy." Although Rhino has already given them the deluxe two-disc treatment, consumers who either don't want that much Coasters material or prefer only the hits are nicely served by this 16-track anthology. It contains every major release, plus valuable lesser-known selections such as "Shoppin' for Clothes" and "What About Us."

John Dawson Winter III (February 23, 1944 – July 16, 2014), known as Johnny Winter, was an American blues guitarist, multi-instrumentalist, singer, and producer. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters…

Feel Flows: The Sunflower & Surf's Up Sessions 1969–1971 is a compilation album and box set recorded by the American rock band the Beach Boys and released by Capitol/UME on August 27, 2021. It is largely dedicated to material that the group recorded during the making of the albums Sunflower (1970) and Surf's Up (1971). Produced by Mark Linett and Alan Boyd, it is the band's first major archival release since Wake the World and I Can Hear Music in 2018, and the first issued on physical media since Sunshine Tomorrow in 2017. The title is taken from the Surf's Up track "Feel Flows". The compilation was released in four different formats: a five-CD box set, a two-CD set, a double vinyl set, and a quadruple vinyl set.

Johnny Winter's sixth Columbia album was also his second since his comeback from drug addiction. Its predecessor, Still Alive and Well, had been his highest charting effort. Saints & Sinners was just as energetically played, but its mixture of material, including '50s rock & roll oldies like Chuck Berry's "Thirty Days," Larry Williams' "Bony Moronie," and Leiber & Stoller's "Riot in Cell Block #9," recent covers like the Rolling Stones' "Stray Cat Blues," and a couple of originals, was more eclectic than inspired. (Van Morrison completists should note that the album also contains Winter's cover of Morrison's "Feedback on Highway 101," a typical bluesy groove song that Morrison recorded for his 1973 Hard Nose the Highway album but dropped. Winter's is the only released recording of the song)…

It isn't exactly difficult to scoff at the Blues Brothers – beginning your musical career as a sketch on Saturday Night Live is not the best way to develop artistic credibility, and while Elwood Blues wasn't too shabby a harp player, his brother, Joliet Jake, sang only marginally better than that guy who used to impersonate Joe Cocker on late-night television. But no one ever bought a Blues Brothers album expecting a life-changing musical experience – these guys were there to put on a show, and putting on a great show is just what they did. It helped that Dan Aykroyd and John Belushi obviously loved the music, and they knew how to put together a killer band (any fan with the vision to hire Steve Cropper, Donald "Duck" Dunn, Steve Jordan, and Matt "Guitar" Murphy" to cover classic blues and R&B deserves credit for good taste, if nothing else)…