Chan Thomas

There are enough new performances of American music by British and continental European groups to constitute a vogue, and this superb release by Britain's Brodsky Quartet makes a fine place to start with the trend in several respects. First there's a reading of the Dvorák String Quartet No. 12, Op. 96 ("American"), that could stand on its own as a reason for purchase. The Brodsky runs counter to type with this performance, which offers a relaxed, singing version of the music that accords well with the great performances of the Cello Concerto in B minor. Many quartets push the music and thus bring out its rhythmic structure, but that doesn't suffer in this version emphasizing the African-American-influenced melodic content that the composer himself pointed to in the work.

Gossec made an important contribution to the development of French symphonic music and played a central role in Parisian musical life for almost three-quarters of a century. The opera 'Le Triomphe de la République' was composed in 1793 folowing the French Revolution and wonderfully demonstrates the musical movement that France experienced following the change in political climate. Music was recognized as a medium for the diffusion of new ideas and 'Le Triomphe de la République' was a case in point. It was written in the wake of popular enthusiasm at the news of the army's victory at the battle of Vlamy in 1792 against the anti-French troops led by the Duke of Brunswick. It features folk music and popular dances of the day reflecting a kind of life quite distinct from that of intellectual, aristocratic society.

An oratorio / cantata type composition by a little known eighteenth century musician written when he was only twenty two does not sound too promising. However, with this convincing performance there is much to enjoy.