Charles Harris

Legendary alto saxophonist Charles McPherson makes his Smoke Sessions debut with an inspired album, Reverence, dedicated to Barry Harris, captured in front of a live audience at Smoke Jazz Club and featuring his quintet of Terell Stafford, Jeb Patton, David Wong, and Billy Drummond.

The series of Janacek's operas conducted by Sir Charles Mackerras for Decca has become one of the most exciting gramophone projects of the day, with each issue a major event. The new digital recording of the last opera he composed, From the House of the Dead, is no exception: indeed, for reasons that lie beyond the excellence of performance and recording, and also lie apart from the fact that here is the first version to appear for nearly eight years, this is an historic occasion, a significant contribution to musical knowledge.

The Atlantic Jazz series continues with this slice of mostly '60s jazz-soul treats. Fittingly, the 11-track disc includes a side by one of the prime progenitors of soul, Ray Charles: He and MJQ vibraphonist, Milt Jackson, stretch out on the canonized "How Long Blues." Further expounding on the soul-jazz trajectory, the collection spotlights work by organist Shirley Scott (the Aretha Franklin hit "Think"), Les McCann and Eddie Harris (their classic Montreux Festival cut "Compared to What"), Yusef Lateef ("Russell and Elliot"), and Hank Crawford ("You're the One"). And there's even a bit of boogaloo-enhanced bossa, compliments of trumpeter Nat Adderley ("Jive Samba"). The soundtrack to your next retro-cool shindig.

There’s more to Shakespeare’s songs than a hey-nonny-nonny, and the depth of the bard’s texts has inspired composers from well beyond the cultural borders of the English language. Nearly half of the Phoenix Bach Choir’s “Shakespeare in Song” disc offers intriguing music by composers who are neither English nor American. Chief among these is Switzerland’s Frank Martin, whose Songs of Ariel constitute a modern choral classic. These are haunting, harmonically unsettled settings, and for an example of the skill and beauty the Phoenix Bach Choir brings to this program, just listen to the wonderful intonation on the last chord of “Before You Can Say ‘Come’ and ‘Go’.”