Recorded on the opening night of the Festival International de Jazz de Montreal as part of an eight-concert series paying tribute to Charlie Haden. While the other evenings all featured stellar musicians and wonderful collaborations, this one is special because it features Haden in a trio of players not usually associated with him: drummer Al Foster – fresh from Miles Davis' band, and the late tenor giant Joe Henderson. In fact, Haden has subtitled the set, "Tribute to Joe Henderson." There are four extended tunes on the set, the shortest of which is the opener, a gorgeous, wide open rendering of Thelonious Monk's "'Round Midnight," on which Henderson begins to display some of the same modal soloing traits he employed on his Blue Note recordings Mode for Joe, and Inner Urge.
This box set contains everything released on Verve of the mini-festival of Charlie Haden's music recorded at a Montreal jazz festival in 1989. The music is uniformly excellent, and well-recorded. If you are a Charlie Haden fan, you'll enjoy it. Recording live of Charlie Haden's concerts at the 1989 Montreal International Jazz Festival. Each disc was initially published individually by Verve between 1994 and 2005.
Verve Records celebrated the 50th anniversary of Norman Granz's first Jazz at the Philharmonic concert with an all-star get-together at Carnegie Hall. Different groups of top players from Verve's legacy (both past and present) had opportunities to perform, and this CD has many of the highlights. Pianist Peter Delano plays "Tangerine" with a trio; Dee Dee Bridgewater sings "Shiny Stockings" with the Carnegie Hall Jazz Band; Hank Jones pays tribute to Art Tatum; Abbey Lincoln sings "I Must Have That Man"; Joe Henderson meets up with Antonio Carlos Jobim (who made his final concert appearance) on "Desafinado"; "Manteca" features trumpeter Roy Hargrove and trombonist Steve Turre; pianist Yosuke Yamashita pays tribute to Bud Powell; Betty Carter scats on "How High the Moon"; Herbie Hancock and John McLaughlin play a restrained acoustic version of Bill Evans' "Turn out the Stars"; Hargrove teams up with altoist Jackie McLean and guitarist Pat Metheny for "The Eternal Triangle"; organist Jimmy Smith revisits Oliver Nelson's arrangement of "Down by the Riverside"; Art Porter and Jeff Lorber play some crossover, and J.J. Johnson contributes a few trombone solos.