The Kansas City alto saxophonist Charlie Parker, who was to post-second-world-war jazz what Louis Armstrong had been to its first wave, is as likely to be remembered today for his heroin habit and early death than for his exquisite and melodically stunning improvising. If that era's jazz is like journalism, Parker was its acutely observant war reporter, who kept coming back from the front of his own exploding world with new stories to tell.
Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
This disc contains very rough-sounding recordings of Parker with Gillespie's big band at the Pershing Hotel Ballroom, Chicago in 1948. Also a batch of live performances of the Parker Quintet with Miles on trumpet.
Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
A Studio Chronicle 1940-1948 is a five-disc box set from the British label JSP detailing what producer Ted Kendall considers to be the essential studio recordings of saxophonist Charlie Parker. Included here are not only the innovative bebop sides that made Parker a living legend, but also the early Kansas City swing recordings he appeared on while playing with the Jay McShann Orchestra. ~ AllMusic
Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
Charlie Parker did all the things I would like to do and more – he really had a genius, see. He could do things and he could do them melodiously so that anybody, the man in the street, could hear – that’s what I haven’t reached, that’s what I’d like to reach. -John COLTRANE. The aim of 'The Complete Charlie Parker', compiled for Frémeaux & Associés by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.
Charlie ‘Yarbird’ Parker should need no introduction; recognised as one of the twentieth century’s true musical greats, he revolutionised saxophone playing in the forties. The recordings on these three CDs capture him in the very act, and additionally present jazz at a crucial time, when swing was shortly to give way to bebop, and when the blues could be played with a big band before r&b took over. Many of the recordings here were not made commercially - some are from radio broadcasts, some were made in concert, and a few, such as the fascinating opener, just Bird and his sax tackling ‘Honeysuckle Rose’ and ‘Body And Soul’, were never intended to be heard outside of the immediate circle.
During 1949-54 Charlie Parker often recorded and performed with a string section. This LP contains a cross section of Bird's live performances from 1950-52 and, although the string arrangements are the same as for the studio recordings, Parker's solos are quite a bit different.
Charlie Parker : Jam Session (Verve), 1952. Les fameuses Norman Granz Studio Jams avec Benny Carter, Charlie Shavers,
Johnny Hodges, Ben Webster, Barney Kessel, Oscar Peterson et Ray Brown