Chausson

Julia Fischer follows her extraordinary Grammy-nominated recording of the Paganini Caprices with a contrasting album - a lyrical and poetic set of impressionistic works for violin and orchestra.

In her first chamber music album Claire Huangci- together with Solenne Païdassi, violin Adrien Boisseau, viola and Tristan Cornut, cello- devotes herself to two works by Maurice Ravel and Ernest Chausson. As the debut album of Trio Machiavelli and Adrien Bosseau as support for Chausson, this album is a calling card that is worth seeing. Claire Huangci, the young American pianist of Chinese descent and 2018 Geza Anda Competition first prize and Mozart prize winner, has succeeded in establishing herself as a highly respected artist, captivating audiences with her "radiant virtuosity, artistic sensitivity, keen interactive sense and subtle auditory dramaturgy" (Salzburger Nachrichten). Her unusually diverse repertoire, in which she also takes up rarely performed works, is illustrative of her remarkable versatility.

The Trio Metral, in its new line- up of Victor Metral (piano), Nathan Mierdl (violin) and Laure- Hélène Michel (cello) – three born chamber musicians – offers us a passionate and exciting reading of two masterpieces of the French repertory.

Though indeed of Italian background, violinist Zino Francescatti was a Frenchman, born in Marseilles in 1902. His real name was René-Charles Francescatti. Both his parents played the violin, and his father René had been a student of Paganini.

Inspired by the great Romantic works of the piano trio repertoire, the Nebelmeer Trio – named after the emblematic painting by Caspar David Friedrich – embark on a joint exploration of a turmoiled romanticism. Composed ten years apart by two composers with a 20 year age difference, the trios for piano, violin and cello featuring in this album epitomize the quintessence of French Romantic music of the late 19th century.